Kimber Lee (Playwright) Lee’s plays include to the yellow house, tokyo fish story (South Coast Repertory, TheatreWorks Silicon Valley), brownsville song (b-side for tray) (Humana Festival at Actors Theatre of Louisville, LCT3 at Lincoln Center, Long Wharf Theatre, Philadelphia Theatre Company, Seattle Repertory Theatre, MOXIE Theatre), and different words for the same thing (Kirk Douglas Theatre at Center Theatre Group). Her work has also been presented by the New Voices Festival at The Old Globe, Lark Play Development Center, Page 73 Productions, Hedgebrook, Seven Devils Playwrights Conference, Bay Area Playwrights Festival, Great Plains Theatre Conference, and Magic Theatre. She is under commission at LCT3, South Coast Repertory, Denver Center Theatre Company, Hartford Stage, Center Theatre Group, and Bush Theatre. Lee is a Lark Playwrights’ Workshop Fellow; a Dramatists Guild Fellow; a member of Ma-Yi Writers Lab; a recipient of the Ruby Prize, PoNY Fellowship, Hartford Stage’s Aetna New Voices Fellowship; and the inaugural 2015 PoNY/Bush Theatre Playwright Residency in London. She received her M.F.A. from The University of Texas at Austin.

Mikiko Suzuki MacAdams (Scenic Design) recently designed brownsville song (b-side for tray), The Glass Menagerie, The Brothers Size, and The Cook (Seattle Repertory Theatre), Abe Lincoln in Illinois and The Year of Magical Thinking (Intiman Theatre), The Sign in Sidney Brustein’s Window (Oregon Shakespeare Festival), and In the Next Room, or the vibrator play (Syracuse Stage). Adams’s further work has been seen Off Broadway at Epic Theater Ensemble, INTAR Theatre, Ensemble Studio Theatre, Working Theater, and National Asian American Theatre Company. Her regional credits include Opera Theatre of Saint Louis, Long Wharf Theatre, Actors Theatre of Louisville, Cornerstone Theater Company, Cincinnati Playhouse in the Park, Yale Repertory Theatre, and The Public Theater’s Under the Radar Festival, among others. She has designed internationally for Aichi Triennale, Kanagawa Prefectural Hall, Nissei Theatre, Tokyo Nikikai Opera Theatre, and Tokyo Metropolitan Theatre. As an associate scenic designer, her Broadway credits include Fiddler on the Roof, The King and I, The Bridges of Madison County, Golden Boy, That Championship Season, Women on the Verge of a Nervous Breakdown, Next Fall, and Joe Turner’s Come and Gone, as well as the U.S., U.K., and Australian national tours of Lincoln Center Theater’s production of South Pacific and the U.S. tour of The Bridges of Madison County and The King and I. She teaches at Rutgers University and Fordham University. mikikosuzukimacadams.com.

Jiyoun Chang (Lighting Design) is making her Globe debut. She is the recipient of an Obie Award Special Citation in Lighting for The World is Round (Ripe Time). Her New York credits include Ugly Lies the Bone (Roundabout Underground), brownsville song (b-side for tray) (LCT3), Goldberg’s Variations (Brooklyn Academy of Music’s 2013 Next Wave Festival), The Dance and the Railroad (Signature Theatre Company), Sojourners (The Playwrights Realm), T.1912 and Peter & the Wolf (Guggenheim Museum), and Light Within (Carnegie Hall). Her other credits include Aubergine (Berkeley Repertory Theatre), The Unfortunates and Troilus and Cressida (Oregon Shakespeare Festival), and work with Triad Stage. She received her M.F.A. from the Yale School of Drama. jiyounchang.com.

Nathan A. Roberts (Sound Design and Original Music) is a multi-instrumentalist, composer, instrument-maker, and sound designer who specializes in creating original music and soundscapes for plays, often live onstage. His regional credits include Sense and Sensibility (Dallas Theater Center), In the Next Room, or the vibrator play (Syracuse Stage), Accidental Death of an Anarchist (Yale Repertory Theatre, Berkeley Repertory Theatre), The Widow Lincoln and Our Town (Ford’s Theatre), Twelfth Night and The Tempest (Hartford Stage), The Servant of Two Masters (Seattle Repertory Theatre, Guthrie Theater, Shakespeare Theatre Company, Yale Repertory Theatre), Macbeth (The Acting Company/Guthrie Theater), It’s a Wonderful Life (Long Wharf Theatre), and Third, On Borrowed Time, and Electric Baby (Two River Theater). Roberts earned his M.F.A. from Yale School of Drama and teaches in the theatre studies program of Yale University.

Caparelliotis Casting (Casting) has cast the Globe productions of Constellations, The Last Match, Dr. Seuss’ How the Grinch Stole Christmas!, Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery, Rich Girl, Arms and the Man, Buyer & Cellar, The White Snake, The Twenty-seventh Man, The Royale, Vanya and Sonia and Masha and Spike, Water by the Spoonful, Time and the Conways, Bethany, The Winter’s Tale, The Few, Double Indemnity, The Rainmaker, Other Desert Cities, Be a Good Little Widow, A Doll’s House, The Brothers Size, Pygmalion, and Good People. Their Broadway casting credits include Blackbird, An Act of God, Airline Highway, Fish in the Dark, It’s Only a Play, Disgraced, The Country House, Holler If Ya Hear Me, Casa Valentina, The Snow Geese, Lyle Kessler’s Orphans, The Trip to Bountiful, Grace, Dead Accounts, The Other Place, Seminar, The Columnist, Stick Fly, Good People, Bengal Tiger at the Baghdad Zoo, The House of Blue Leaves, Fences, Lend Me a Tenor, and The Royal Family. They also cast for Manhattan Theatre Club, Second Stage Theatre, Atlantic Theater Company, LCT3, Ars Nova, Goodman Theatre, McCarter Theatre Center, Arena Stage, and three seasons with Williamstown Theatre Festival. Their recent film and television credits include HairBrained with Brendan Fraser, “American Odyssey” (NBC), “How to Get Away with Murder” (ABC pilot), “Ironside” (NBC), and Steel Magnolias (Sony for Lifetime).