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By Ken Ludwig
Comic genius Ken Ludwig, whose Baskerville brought Sherlock Holmes to the Globe, is back with a brand-new Globe-commissioned world premiere comedy about another icon: Robin Hood! Under the inventive direction of Jessica Stone (Arms and the Man, Vanya and Sonia and Masha and Spike), and packed with thrills, romance, laughs, and great characters like Little John, Friar Tuck, and Maid Marian, Robin Hood! tells the timeless story of a hero of the people who takes on the powers that be. So get ready to duck a quarterstaff or two—you won’t want to miss a moment of the swashbuckling fun!
California Bank & Trust
Sheila and Jeffrey Lipinsky
Paula and Brian Powers
Jean and Gary Shekhter
Pamela J. Wagner and Hans Tegebo
Artist Sponsor for Daniel Reece (Robin Hood)
Jo Ann Kilty
Artist Sponsor for Ken Ludwig (Director)
Evelyn Mack Truitt
Ken Ludwig (Playwright) is a two-time Olivier Award-winning playwright whose work is performed every night of the year throughout the world in more than 30 countries and over 20 languages. He has written 24 plays and musicals, with six Broadway productions and seven in London’s West End. His Tony Award-winning play Lend Me a Tenor was called “one of the classic comedies of the 20th century” by The Washington Post. His other plays and musicals include Crazy for You (five years on Broadway, Tony and Drama Desk Awards for Best Musical), Moon Over Buffalo (Broadway and West End), The Adventures of Tom Sawyer (Broadway), Treasure Island (West End), Twentieth Century (Broadway), Leading Ladies, Shakespeare in Hollywood, The Game’s Afoot, The Fox on the Fairway, The Three Musketeers, The Beaux’ Stratagem, Baskerville: A Sherlock Holmes Mystery, and A Comedy of Tenors. His critically acclaimed adaptation of Agatha Christie’s Murder on the Orient Express premiered this season to sold-out houses at McCarter Theatre Center in Princeton. Mr. Ludwig has received commissions from The Old Globe, Royal Shakespeare Company, and Bristol Old Vic, and he is a Sallie B. Goodman Fellow of McCarter Theatre Center. His many awards and honors include the Charles MacArthur Award, two Helen Hayes Awards, the Southeastern Theatre Conference Distinguished Career Award, the Edgar Award for Best Play, and the Edwin Forrest Award for contributions to the American theatre. His book How to Teach Your Children Shakespeare (Random House) won the Falstaff Award for Best Shakespeare Book, Publication, or Recording, and his essays are published by The Yale Review.
Jessica Stone (Director) worked as an actress on and Off Broadway and in television and film for the last 30 years. Her Broadway credits include Anything Goes, Butley, The Odd Couple, The Smell of the Kill, Design for Living, How to Succeed in Business Without Really Trying, and Grease. Her Off Broadway credits include Crimes of the Heart, Krisit, The Country Club, June Moon, Tenderloin,and Babes in Arms. She has performed in regional theatres across the country including Huntington Theatre Company, Mark Taper Forum, Geva Theatre, McCarter Theatre Center, and 10 seasons at Williamstown Theatre Festival. Ms. Stone’s television credits include series-regular and guest-starring roles on CBS, NBC, ABC, and Hulu. Her film credits include work with Ang Lee, M. Night Shyamalan, and Kevin Bacon, among others. Concurrently, she was an assistant/associate director on and Off Broadway to Nicholas Martin, Joe Mantello, David Warren, and Christopher Ashley. Ms. Stone’s directing career began in earnest with her all-male 2010 production of A Funny Thing Happened on the Way to the Forum for Williamstown Theatre Festival. Her directing credits now include Arms and the Man (The Old Globe), Vanya and Sonia and Masha and Spike (The Old Globe, Huntington Theatre Company), Charlotte’s Web (Theatreworks USA), June Moon and Neil Simon’s Last of the Red Hot Lovers (Williamstown Theatre Festival), Absurd Person Singular and A Funny Thing... (Two River Theater Company), The 25th Annual Putnam County Spelling Bee (Bucks County Playhouse), and Bad Jews (George Street Playhouse). Ms. Stone’s upcoming productions include Bad Dates for Huntington Theatre Company and Dancing at Lughnasa for Two River Theater Company. She currently lives in Brooklyn with her husband and two sons.
Tim Mackabee (Scenic Design) recently designed the Globe’s productions of Skeleton Crew and The Last Match. His Broadway credits include The Elephant Man starring Bradley Cooper (also West End) and Mike Tyson: Undisputed Truth directed by Spike Lee. His Off Broadway credits include Guards at the Taj (2016 Lucille Lortel Award for Outstanding Scenic Design) and Our New Girl (Atlantic Theater Company), Vietgone and Important Hats of the Twentieth Century (Manhattan Theatre Club), Heathers: The Musical (New World Stages), Luce (Lincoln Center Theater), Gigantic (Vineyard Theatre), and Much Ado About Nothing (The Public Theater). Regionally Mr. Mackabee has designed for Geffen Playhouse, American Conservatory Theater, Ford’s Theatre, Seattle Repertory Theatre, Baltimore Center Stage, Denver Center for the Performing Arts Theatre Company, Portland Center Stage, Cleveland Play House, Dallas Theater Center, Geva Theatre, Yale Repertory Theatre, Syracuse Stage, South Coast Repertory, Victory Gardens Theater, Bay Street Theater, Asolo Repertory Theatre, Philadelphia Theatre Company, Arden Theatre Company, The Studio Theatre, The Muny, and Williamstown Theatre Festival. His dance credits include Doug Varone and Dancers, and Cedar Lake Contemporary Ballet. His television credits include Amy Schumer: Live at the Apollo, “Gotham,” “Smash,” and “The Today Show.” Mr. Mackabee is a graduate of University of North Carolina School of the Arts and Yale School of Drama. timothymackabeedesign.com.
Gregg Barnes (Costume Design) is an Associate Artist of The Old Globe. He has designed the Broadway productions of Tuck Everlasting (2016 Tony Award nomination), Something Rotten! (2015 Tony nomination), Aladdin, Kinky Boots (2013 Tony nomination, 2016 Olivier Award), Follies (2012 Tony Award, Drama Desk Award, Henry Hewes Design Award), Elf, Legally Blonde (2007 Tony nomination, 2010 Olivier nomination), The Drowsy Chaperone (2006 Tony Award, Drama Desk Award, Outer Critics Award, Olivier nomination), Dirty Rotten Scoundrels, Flower Drum Song (Tony nomination), and Side Show. His other New York credits include Sinatra: His Voice. His World. His Way. and Christmas Spectacular (Radio City Music Hall), The Wizard of Oz (Madison Square Garden), Pageant (Blue Angel Theatre, West End, Olivier nomination), and Dreamgirls (West End, 2016 Olivier nomination). His national tour credits include Something Rotten!, Aladdin, Kinky Boots, Legally Blonde, The Drowsy Chaperone, Dirty Rotten Scoundrels, and Flower Drum Song. Mr. Barnes also designed the regional productions of Robin and the 7 Hoods, Dirty Rotten Scoundrels, Lucky Duck, Hay Fever, and more (The Old Globe), Minsky’s (Ahmanson Theatre, Los Angeles Drama Critics Circle Award), Mame and Follies (The Kennedy Center and productions at Arena Stage, The Glimmerglass Theatre, Williamstown Theatre Festival, June Opera Festival of New Jersey, and Paper Mill Playhouse. He is the recipient of the Theatre Development Fund’s Irene Sharaff Young Master Award.
Jason Lyons (Lighting Design) recently designed Red Velvet, Love’s Labor’s Lost, and Macbeth at The Old Globe. He designed the Broadway productions of Hand to God, On the Town, Bronx Bombers, Let It Be, Bring It On: The Musical, Rock of Ages (also Vegas, Toronto, Australia, London, and national tours), The Threepenny Opera, Barefoot in the Park, and Good Vibrations. His other recent credits include Dry Powder, Barbecue, and Venice (The Public Theater), Smart People (Second Stage Theatre), Murder for Two and Heathers: The Musical (New World Stages), Hand to God (MCC Theater), The Commons of Pensacola (Manhattan Theatre Club), Nerds (Philadelphia Theatre Company), Hello, Dolly! (Goodspeed Musicals), All in the Timing (Primary Stages), Medieval Play (Signature Theatre Company), Uncle Vanya (Classic Stage Company), White Noise (Chicago), Broke-ology and Clay (Lincoln Center Theater), Happy Hour, Two by Pinter, and Scarcity (Atlantic Theater Company), and The Good Mother, Marie and Bruce, Abigail’s Party, The Prime of Miss Jean Brodie, Hurlyburly, and more (The New Group, 10 years).
Fitz Patton (Original Music and Sound Design) previously sound designed the Globe productions of Constellations, The Winter’s Tale, Good People, and August: Osage County and provided original music for The Two Gentlemen of Verona. He is currently represented on Broadway with Present Laughter and The Little Foxes. His other Broadway credits include The Father, The Humans, Blackbird, It’s Only a Play, An Act of God, Airline Highway, The Other Place, I’ll Eat You Last: A Chat with Sue Mengers, Outside Mullingar, Casa Valentina, The House of Blue Leaves, Brighton Beach Memoirs, and Broadway Bound. Mr. Patton’s many Off Broadway credits include this season’s Prodigal Son (New York City Center), When the Rain Stops Falling (Lincoln Center Theater, Lucille Lortel and Drama Desk Awards), and The Other Place (MCC Theater, Lortel nomination). His symphony credits include The Holy Land. Mr. Patton is the founder of Chance Magazine, a theatre design magazine.
Jacob Grigolia-Rosenbaum (Fight Director) is honored to return to the Globe after 2013’s The Last Goodbye and 2014’s Othello. He is also fight director for Hamlet in this year’s Summer Shakespeare Festival. His credits as fight director include Peter and the Starcatcher (Broadway, New York Theatre Workshop, New World Stages, national tour), Peter Pan Live! (NBC/Universal), Bloody Bloody Andrew Jackson (Broadway, The Public Theater, Williamstown Theatre Festival), Cyrano de Bergerac (Broadway), Here Lies Love (The Public Theater, commercial remount), The Robber Bridegroom (Roundabout Theatre Company), Sailor Man (also co-creator, New York International Fringe Festival, winner of Best Play), The Buccaneer (also playwright, The Tank, Fight Fest), and Robin Hood (Williamstown Theatre Festival). Mr. Grigolia-Rosenbaum has also been fight director for numerous regional and touring companies, including Connecticut Free Shakespeare, Ogunquit Playhouse, and National Theater for Arts and Education. He was the stunt coordinator and creature performer for the horror film Dark Was the Night (Caliber/Image) and was a D1 varsity fencer while at Yale University.
David Huber (Voice and Dialect Coach) has worked on the Globe productions of The Imaginary Invalid, Skeleton Crew, Red Velvet, The Blameless, Picasso at the Lapin Agile, Measure for Measure (Globe for All), October Sky, Meteor Shower, Sense and Sensibility, Macbeth, tokyo fish story, Camp David, Constellations, Rain, The Last Match, The Metromaniacs, Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery, Arms and the Man, Buyer & Cellar, The Royale, Bright Star, and The Two Gentlemen of Verona. His previous Globe acting credits include The Winter’s Tale directed by Jack O’Brien, The Tempest, The Two Gentlemen of Verona, and The Merchant of Venice, among several others. He has studied voice with Master Linklater Voice teacher David Smukler, Eric Armstrong, and Kate Burke. He is a graduate of the Graduate Voice Teacher Diploma Program at York University in Toronto. His regional theatre credits include Actors Theatre of Louisville, Cincinnati Playhouse in the Park, The Repertory Theatre of St. Louis, Pittsburgh Playhouse, PCPA Theaterfest, Texas Shakespeare Festival, Center REPertory Company, and Centennial Theater Festival, among many others. Mr. Huber coaches voice, speech, and acting locally, works on speech issues with special needs students, and recently taught speech in the graduate theatre program at UC San Diego. He is a graduate of The Old Globe and University of San Diego Shiley Graduate Theatre Program.
Caparelliotis Casting (Casting) has cast the Globe productions of Skeleton Crew, Red Velvet, Picasso at the Lapin Agile, The Blameless, Meteor Shower, tokyo fish story, Constellations, The Last Match, Dr. Seuss’ How the Grinch Stole Christmas!, Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery, Rich Girl, Arms and the Man, Buyer & Cellar, The White Snake, The Twenty-seventh Man, The Royale, Vanya and Sonia and Masha and Spike, Water by the Spoonful, Time and the Conways, Bethany, The Winter’s Tale, The Few, Double Indemnity, The Rainmaker, Other Desert Cities, Be a Good Little Widow, A Doll’s House, The Brothers Size, Pygmalion, and Good People. Their Broadway casting credits include A Doll’s House Part 2, The Front Page, Les Liaisons Dangereuses, The Glass Menagerie, Jitney, The Little Foxes, The Father, Blackbird, An Act of God, Airline Highway, Fish in the Dark, It’s Only a Play, Disgraced, The Country House, Holler If Ya Hear Me, Casa Valentina, The Snow Geese, Lyle Kessler’s Orphans, The Trip to Bountiful, Grace, Dead Accounts, The Other Place, Seminar, The Columnist, Stick Fly, Good People, Bengal Tiger at the Baghdad Zoo, The House of Blue Leaves, Fences, Lend Me a Tenor, and The Royal Family. They also cast for Manhattan Theatre Club, Atlantic Theater Company, Signature Theatre Company, LCT3, Ars Nova, Goodman Theatre, Steppenwolf Theatre Company, McCarter Theatre Center, Arena Stage, Second Stage Theatre (seven seasons), and Williamstown Theatre Festival (three seasons). Their recent film and television credits include HairBrained with Brendan Fraser, “American Odyssey” (NBC), “How to Get Away with Murder” (ABC pilot), “Ironside” (NBC), and Steel Magnolias (Sony for Lifetime).
Jess Slocum (Production Stage Manager) previously worked on the Globe productions of The Imaginary Invalid, Red Velvet, Picasso at the Lapin Agile, Measure for Measure (Globe for All), Love’s Labor’s Lost, tokyo fish story, The Metromaniacs, In Your Arms, Twelfth Night, Buyer & Cellar, Bright Star, Othello, Water by the Spoonful, The Winter’s Tale, A Doll’s House, Pygmalion, A Room with a View, Richard O’Brien’s The Rocky Horror Show, the 2011–2013 Shakespeare Festivals, Rafta, Rafta…, Robin and the 7 Hoods, Alive and Well, Sammy, Cornelia, Since Africa, Dr. Seuss’ How the Grinch Stole Christmas!,and The Glass Menagerie. Her Broadway credits include In the Heights. Her regional credits include Indecent, Side Show, Ruined, The Third Story, Memphis,and Most Wanted (La Jolla Playhouse) and Post Office (Center Theatre Group). Her San Diego credits include Mo`olelo Performing Arts Company, North Coast Repertory Theatre, and Lamb’s Players Theatre. She is a graduate of Vanderbilt University. Proud member of Actors’ Equity.
Peter Van Dyke (Stage Manager – August 24 to August 27) has been a stage manager for over 50 productions at The Old Globe, beginning with Foxfire in the former Cassius Carter Centre Stage in 1984 and most recently Guys and Dolls. Some of his other notable shows include Waiting for Godot, Falsettos, Forever Plaid, Blues in the Night, Pride’s Crossing, Cowgirls, and nine Shakespeare plays, including Jack O’Brien’s monumental Henry IV. Born in Chicago and raised on a dairy farm in Wisconsin, Mr. Van Dyke has been a San Diegan since 1989. He has stage managed at Denver Center for the Performing Arts Theatre Company, Arizona Theatre Company, Pasadena Playhouse, Geffen Playhouse, La Jolla Playhouse, Long Wharf Theatre, Kansas City Repertory Theatre, and Mark Taper Forum. He has been the production stage manager of The Phantom of the Opera, Les Misérables, Wicked, Million Dollar Quartet,and Kinky Boots on tour, playing over 100 cities in 36 states and five provinces of Canada, as well as Seoul and Shanghai.
This series provides Old Globe patrons with an opportunity to closely connect with productions both onstage and backstage. A panel selected from the artistic company of each show (playwrights, actors, directors, designers, and/or technicians) engages patrons in an informal and illuminating presentation of ideas and insights to enhance the theatre going experience. Each Insights Seminar takes place 90 minutes before curtain time on the Tuesday after performances begin, and includes an informal reception 30 minutes before the start. FREE; no reservations necessary.
Tuesday, July 25, 2017 at 5:30 p.m.
Join us after the show for an informal and enlightening question-and-answer session with cast members. Get the "inside story" on creating a character and putting together a professional production. Post-show forums are scheduled after select Tuesday and Wednesday evening performances. FREE; no reservations necessary.
Tuesday, August 1, 2017
Wednesday, August 2, 2017
Tuesday, August 8, 2017