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May 28 – June 28, 2020
(Opening night: Thursday, June 4, 2020)
Sheryl and Harvey White Theatre
Conrad Prebys Theatre Center
By Nathan Englander
Directed by Barry Edelstein
Pulitzer Prize finalist Nathan Englander and director Barry Edelstein wowed Globe audiences with The Twenty-Seventh Man, and now they team up again for this world premiere of a modern-day comedy of friendship. What We Talk About When We Talk About Anne Frank is Englander’s adaptation of his award-winning short story about two high school friends from suburban New York whose adult lives have taken them to opposite ends of the earth, and to wildly different experiences of culture, religion, and family. Reuniting for the first time in years, their love for each other is tested by the distance that has grown between them… and also by their husbands, who don’t exactly see eye to eye. Englander’s distinctive voice—by turns hilarious, outrageous, and emotional—makes this play a uniquely funny and smart exploration of how we see ourselves, and how our friends see us. Contains strong language.
Nathan Englander (Playwright) premiered the theatrical adaptation of his short story The Twenty-Seventh Man at The Public Theater in New York in November 2012. The play had its West Coast premiere at The Old Globe in 2015. He is the recipient of a Guggenheim Fellowship, a PEN/Malamud Award, a Frank O’Connor International Short Story Award, and a Sue Kaufman Prize for First Fiction from the American Academy of Arts and Letters, and he was a finalist for the Pulitzer Prize in 2013. Englander’s most recent book is the novel kaddish.com. He is also the author of the story collections For the Relief of Unbearable Urges,an international best seller, and What We Talk About When We Talk About Anne Frank, as well as the novels The Ministry of Special Cases and Dinner at the Center of the Earth. He is Distinguished Writer in Residence at New York University and lives in Brooklyn, New York, with his wife and daughter.
Barry Edelstein (Director, Old Globe Erna Finci Viterbi Artistic Director) is a stage director, producer, author, and educator. He has directed nearly half of the Bard’s plays. His Globe directing credits include The Winter’s Tale, Othello, The Twenty-Seventh Man, the world premiere of Rain, Picasso at the Lapin Agile, Hamlet, and the world premiere of The Wanderers, and the American premiere of Life After. He also directed All’s Well That Ends Well as the inaugural production of the Globe for All community tour. He recently oversaw the Globe’s inaugural Classical Directing Fellowship program and directed The Tempest with the Los Angeles Philharmonic at Walt Disney Concert Hall. As Director of the Shakespeare Initiative at The Public Theater (2008–2012), Edelstein oversaw all of the company’s Shakespearean productions as well as its educational, community outreach, and artist-training programs. At The Public, he staged the world premiere of The Twenty-Seventh Man, Julius Caesar, The Merchant of Venice, Timon of Athens, and Steve Martin’s WASP and Other Plays. He was also Associate Producer of The Public’s Broadway production of The Merchant of Venice starring Al Pacino. From 1998 to 2003 he was Artistic Director of Classic Stage Company. His book Thinking Shakespeare, which was rereleased in a second edition in June, is the standard text on American Shakespearean acting. He is also the author of Bardisms: Shakespeare for All Occasions. He is a graduate of Tufts University and the University of Oxford, where he studied as a Rhodes Scholar.
This series provides Old Globe patrons with an opportunity to closely connect with productions both onstage and backstage. A panel selected from the artistic company of each show (playwrights, actors, directors, designers, and/or technicians) engages patrons in an informal and illuminating presentation of ideas and insights to enhance the theatre going experience. Each Insights Seminar takes place 90 minutes before curtain time on the Tuesday after performances begin, and includes an informal reception 30 minutes before the start. FREE; no reservations necessary.
Tuesday, June 2, 2020 at 6:00 p.m.
Join us after the show for an informal and enlightening question-and-answer session with cast members. Get the "inside story" on creating a character and putting together a professional production. Post-show forums are scheduled after select Tuesday and Wednesday evening performances. FREE; no reservations necessary.
Tuesday, June 9, 2020
Tuesday, June 16, 2020
Wednesday, June 24, 2020
Explore the ideas and issues raised by a production through brief, illuminating post-show discussions with local experts, such as scientists, artists, historians and scholars. Subject Matters will ignite discussion, bring the play's concerns into sharp focus, and encourage you to think beyond the stage! Subject Matters discussions follow select Saturday matinee performances. FREE; no reservations necessary.
Saturday, June 6, 2020
Open captioning is live text displayed simultaneously to the performance and does not require the user to have any special equipment for viewing the text. Please contact our Ticket Services Department at (619) 23-GLOBE (234-5623) or Tickets@TheOldGlobe.org to purchase tickets within view of the captioning screen. Tickets for open-caption performances go on sale on the single-ticket on-sale date and are subject to availability. Support for open captioning is provided in part by TDF. This project is supported in part by an award from the National Endowment for the Arts.
Saturday, June 27, 2020 at 2:00 p.m.