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SAN DIEGO (August 27, 2019)—Due to popular demand, The Old Globe announced today a one-week-only extension—through Sunday, October 27—of Almost Famous, a world-premiere musical with book and lyrics by Academy Award winner and San Diego native Cameron Crowe (films Jerry Maguire, Say Anything…, Fast Times at Ridgemont High), based on his iconic film. Almost Famous is directed by Tony Award nominee Jeremy Herrin (Noises Off, Wolf Hall, National Theatre Live’s All My Sons), and features songs that span the range from classic hits to new songs, with original music and lyrics by Pulitzer Prize and two-time Tony Award winner Tom Kitt (Next to Normal, American Idiot, The SpongeBob Musical). Almost Famous is presented by special arrangement with Lia Vollack, Joey Parnes, Sue Wagner, and John Johnson.
Performances now run September 13 – October 27, 2019 on the Donald and Darlene Shiley Stage in the Old Globe Theatre, part of the Conrad Prebys Theatre Center, with opening night on Friday, September 27 at 8:00 p.m. Tickets for the extension week are now available for new Old Globe season-ticket purchasers, current subscribers, and donors; single tickets go on sale to the general public on Friday, August 30 beginning at 12:00 noon. Single tickets start at $70.00. Tickets can be purchased online at www.TheOldGlobe.org, by phone at (619) 23-GLOBE, or by visiting the Box Office at 1363 Old Globe Way in Balboa Park.
It’s all happening… San Diego, 1973. Led Zeppelin is king, Richard Nixon is President, and idealistic 15-year-old William Miller is an aspiring music journalist. When Rolling Stone magazine hires him to go on the road with an up-and-coming band, William is thrust into the rock-and-roll circus, where his love of music, his longing for friendship, and his integrity as a writer collide. Written by Academy Award winner Cameron Crowe based on his iconic film, Almost Famous is about a young man finding his place in the world and the indelible characters he meets along the way. This joyous world premiere is a celebration of community and the power of music.
The cast includes Matt Bittner as Larry Fellows, Chad Burris as Vic Nunez, Gerard Canonico as Dick Roswell, Julia Cassandra as Estrella, Rob Colletti as Lester Bangs, Brandon Contreras as Silent Ed Vallencourt, Colin Donnell as Russell Hammond, Drew Gehling as Jeff Bebe, Sam Gravitte as Dennis Hope, Van Hughes as David Felton, Katie Ladner as Sapphire, Anika Larsen as Elaine Miller, Storm Lever as Polexia, Casey Likes as William Miller, Solea Pfeiffer as Penny Lane, Emily Schultheis as Anita Miller, Daniel Sovich as Darryl, Libby Winters as Leslie, Matthew C. Yee as Ben Fong-Torres, and swings Danny Lindgren and Alisa Melendez.
The multiple award-winning design team, with a combined 11 Tony Awards and 32 Tony nominations, includes choreographer Lorin Latarro (Globe’s The Heart of Rock & Roll, Broadway and West End’s Waitress), scenic designer Derek McLane (Tony and San Diego Theatre Critics Circle Craig Noel Awards for 33 Variations, multiple Emmy, Drama Desk, and Lortel Awards, two Obie Awards for Sustained Achievement); costume designer David Zinn (two Tony Awards, for The Humans and SpongeBob SquarePants); lighting designer Natasha Katz (Springsteen on Broadway, Frankie and Johnny in the Clair de Lune, All My Sons, Burn This, The Prom, Frozen; six Tony Awards, for Long Day’s Journey Into Night, An American in Paris, The Glass Menagerie, Once, The Coast of Utopia, and Aida); sound designer Peter Hylenski (Grammy, Olivier, seven-time Tony Award nominee, including for Beetlejuice and King Kong in 2019), Tom Kitt (Orchestrations and Arrangements; Next to Normal received the 2010 Pulitzer Prize for Drama and two Tony Awards), Bryan Perri (Music Director), AnnMarie Milazzo (Vocal Designer; Spring Awakening, Next to Normal, If/Then, and Finding Neverland), Daniel Green (Associate Music Director), Campbell Young Associates (Hair, Wig, and Makeup Design; King Lear, Gary: A Sequel to Titus Andronicus, To Kill a Mockingbird, The Waverly Gallery), Jim Carnahan, CSA and Jillian Cimini, CSA (Casting), and Anjee Nero (Production Stage Manager).
“Everyone at the Globe is hugely excited to welcome an uncommonly gifted company to Balboa Park for what we know will be the musical theatre event of the season,” said Erna Finci Viterbi Artistic Director Barry Edelstein. “Cameron Crowe, Tom Kitt, and Jeremy Herrin have assembled a group of actors blessed with extraordinary talent and incendiary energy, and together they will transform a beloved movie—which is also, of course, a local San Diego tale—into an unforgettable new work for the American stage. I am proud to have Almost Famous at this theatre, and I’m looking forward to sharing it with our audiences.”
Almost Famous at The Old Globe is supported in part through a gift from Production Sponsors Terry Atkinson and Kathy Taylor, Peter Cooper and Erik Matwijkow, Elaine and Dave Darwin, Una Davis and Jack McGrory, HM Electronics, Inc., Darlene Marcos Shiley, Viasat, and Sheryl and Harvey White; as well as Artist Sponsors Ellise and Michael Coit (for Colin Donnell, who plays Russell Hammond), Arlene and Richard Esgate (for Solea Pfeiffer, who plays Penny Lane), and Mandell Weiss Charitable Trust (for composer, lyricist, orchestrator, and arranger Tom Kitt). Financial support is provided by The City of San Diego.
Additional events taking place during the run of Almost Famous include:
VICKI AND CARL ZEIGER INSIGHTS SEMINAR: Tuesday, September 17, 2019 at 5:30 p.m.
This series provides an opportunity to closely connect with productions both onstage and backstage. A panel selected from the artistic company of each show (playwrights, actors, directors, designers, and/or technicians) engages patrons in an informal and illuminating presentation of ideas and insights to enhance the theatregoing experience. Reception at 5:00 p.m. FREE; no reservations necessary.
POST-SHOW FORUMS: Tuesdays, October 1 and 8, 2019 and Wednesday, October 9, 2019.
Join us after the show for an informal and enlightening question-and-answer session with cast, crew, and/or Globe staff members. Get the inside story on creating a character and putting together a professional production. FREE for ticketholders of that evening’s performance.
SUBJECT MATTERS: Saturday, October 5, 2019 following the matinee performance.
Explore the ideas and issues raised by a production through brief, illuminating post-show discussions with local experts, such as scientists, artists, historians and scholars. Subject Matters will ignite discussion, bring the play's concerns into sharp focus, and encourage you to think beyond the stage! FREE; no reservations necessary.
OPEN CAPTION PERFORMANCE: Saturday, October 19, 2019 at 2:00 p.m.
Open captioning is live text displayed simultaneously with the performance and does not require the user to have any special equipment for viewing the text. Please contact our Ticket Services Department at (619) 23-GLOBE (234-5623) or Tickets@TheOldGlobe.org to purchase tickets within view of the captioning screen. Tickets for the open-caption performance are on sale now and are subject to availability. Support for open captioning is provided in part by Theatre Development Fund (TDF). This project is supported in part by an award from the National Endowment for the Arts.
TICKETS for the originally scheduled run are currently onsale. Tickets for the extension week are now available for new Old Globe Season ticket purchasers, Globe subscribers and donors; and go on sale to the general public on Friday, August 30, beginning at 12:00 noon. Single tickets start at $70.00. Tickets can be purchased online at www.TheOldGlobe.org, by phone at (619) 23-GLOBE, or by visiting the Box Office at 1363 Old Globe Way in Balboa Park. Discounts are available for full-time students, patrons 29 years of age and under, seniors, military members, and groups of 10 or more.
PERFORMANCES begin on September 13 and have been extended one week only, through October 27, 2019 on the Donald and Darlene Shiley Stage in the Old Globe Theatre, part of the Conrad Prebys Theatre Center. Preview performances run September 13–26. Opening night is Friday, September 27 at 8:00 p.m. Regular performances: Tuesday and Wednesday evenings at 7:00 p.m., Thursday and Friday evenings at 8:00 p.m., Saturdays at 2:00 p.m. and 8:00 p.m., and Sundays at 2:00 p.m. and 7:00 p.m. There will be no matinee or evening performances on Saturday, September 21; additional matinee performances on Sunday, September 22 and Wednesday, October 9; and no matinee performance on Saturday, October 12.
LOCATION and PARKING INFORMATION: The Old Globe is located in San Diego’s Balboa Park at 1363 Old Globe Way. Through a special arrangement with the San Diego Zoo, Old Globe evening ticket-holders have the opportunity to pre-purchase valet parking in the Zoo’s employee parking structure. With a drop-off point just a short walk to the Globe, theatregoers may purchase fast, easy, convenient valet parking for just $14 per vehicle per evening. Pre-paid only, available only by phone through the Old Globe Box Office. Call (619) 234-5623 or visit www.theoldglobe.org/plan-your-visit/directions--parking/valet-parking. The Balboa Park valet is also available during weekend performances, located in front of the Japanese Friendship Garden. For additional parking information visit www.BalboaPark.org.
There are numerous free parking lots available throughout the park. Guests may be dropped off in front of the Mingei International Museum. There is a 10-minute zone at The Old Globe, used only for daytime deliveries, ticket purchases, and handicapped access dropoff. For directions and up-to-date information, please visit www.theoldglobe.org/plan-your-visit/directions--parking/detailed-directions.
PLEASE NOTE: To look up online or GPS directions to The Old Globe, please do not use the Delivery Address above. For GPS users, please click here for the map coordinates, and here for written directions to The Old Globe and nearby parking in Balboa Park.
CALENDAR: Steve Martin’s The Underpants (7/27–9/8), Romeo and Juliet (8/11–9/15), Almost Famous (9/13–10/27), AXIS: Mexican Independence Day Celebration (9/14), Noura (9/20–10/20), 2019 Globe Gala (9/21), Globe for All Tour: The Winter’s Tale (10/29–11/17), M.F.A.: Twelfth Night (11/2–10), AXIS: Day of the Dead (11/3), Dr. Seuss’s How the Grinch Stole Christmas! (11/3–12/29), Ebenezer Scrooge’s BIG San Diego Christmas Show (11/23–12/24), August Wilson’s Jitney (1/18/2020-2/23), Hurricane Diane (2/8–3/8), Little Women (3/14–4/19), Faceless (3/28–4/26), The Gardens of Anuncia (5/8–6/14), What We Talk About When We Talk About Anne Frank (5/28–6/28).
PHOTO EDITORS: Digital images of The Old Globe’s productions are available at www.theoldglobe.org/press-room.
The Tony Award–winning The Old Globe is one of the country’s leading professional not-for-profit regional theatres. Now in its 85th year, the Globe is San Diego’s flagship performing arts institution, and it serves a vibrant community with theatre as a public good. Under the leadership of Erna Finci Viterbi Artistic Director Barry Edelstein and Managing Director Timothy J. Shields, The Old Globe produces a year-round season of 16 productions of classic, contemporary, and new works on its three Balboa Park stages, including its internationally renowned Shakespeare Festival. More than 250,000 people annually attend Globe productions and participate in the theatre’s artistic and arts engagement programs. Its nationally prominent Arts Engagement Department provides an array of participatory programs that make theatre matter to more people in neighborhoods throughout the region. Humanities programs at the Globe and around the city broaden the community’s understanding of theatre art in all its forms. The Globe also boasts a range of new play development programs with professional and community-based writers, as well as the renowned The Old Globe and University of San Diego Shiley Graduate Theatre Program. Numerous world premieres—such as 2014 Tony Award winner for Best Musical A Gentleman’s Guide to Love and Murder, Bright Star, The Full Monty, Dirty Rotten Scoundrels,and Dr. Seuss’s How the Grinch Stole Christmas!—have been developed at The Old Globe and have gone on to highly successful runs on Broadway and at regional theatres across the country.
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CAST AND CREATIVE TEAM BIOGRAPHIES
Matt Bittner (Larry Fellows) is making his debut with The Old Globe. His select credits include Present Laughter (Broadway), School of Rock (Broadway and national tour), Up Here (La Jolla Playhouse), Much Ado About Nothing (The Public Theater), All Is Calm (Hudson Valley Shakespeare Festival), As You Like It (Two River Theater), Be a Good Little Widow (wild project), and The Pillowman (Thingamajig Theatre Company). On television, he has made guest appearances on “The Good Fight” and “Madam Secretary.” Bittner is also a sound designer and composer. mattbittner.com.
Chad Burris (Vic Nunez) is excited to be making his Old Globe debut. He appeared in the first and second national tours of The Book of Mormon. His regional credits include The Muny, Cleveland Play House, Cape Playhouse, and Arkansas Repertory Theatre. He is also an accomplished writer and producer, having created the critically acclaimed web series “City Boyz.” He is represented by HCKR Agency and Authentic Management.
Gerard Canonico (Dick Roswell) has appeared on Broadway as Rich in Be More Chill, as Fred in Groundhog Day, as Ensemble and later Moritz in Spring Awakening, and in American Idiot, all as part of the shows’ original Broadway casts. His Off Broadway credits include Bare (New World Stages), Dear Evan Hansen (Second Stage Theater), Brooklynite (Vineyard Theatre), and The Talls (Second Stage Uptown). He also appeared in Be More Chill regionally (Two River Theater). His film credits include Stuck, Not Fade Away directed by David Chase, and Boy Wonder. Canonico also freelances as a musician on a variety of instruments and projects. Most notably he fronts and plays guitar in the touring blink-182 tribute band known as The Dude Ranch. @GerardCanonicoOfficial on Instagram.
Julia Cassandra (Estrella) is excited to be making her Old Globe debut and to be performing in her home state of California. Her recent credits include the national tour of Mamma Mia!, Anna in Frozen on the Disney Wonder Cruise Ship, and the world premiere of Loch Ness, A New Musical. @julia_cassandra.
Rob Colletti (Lester Bangs) recently played the leading role of Dewey Finn in the first national Broadway tour of School of Rock to critical acclaim (Scenie Award for Outstanding Lead Performance in a Touring Production). He also appeared in The Book of Mormon on Broadway and on tour. His regional credits include The 25th Annual Putnam County Spelling Bee (New Theatre), The Original Grease (American Theater Company; 2011 Joseph Jefferson Award for Production – Musical), Blithe Spirit and Talk Radio (Steve Allen Theater), Of Mice and Men (New Studio Theater), and various revues (The Second City). His workshop credits include Almost Famous as well as The Great Carbuncle (BMI New York). Colletti’s film and television credits include the upcoming “The Sopranos” prequel film The Many Saints of Newark (New Line Cinema/Warner Bros.), “Just Roll with It” (Disney/ABC), and WTF: World Thumbwrestling Federation. He received his B.A. in Acting from Columbia College Chicago and trained with The Second City. He was also a nominee for The Kennedy Center American College Theater Festival’s Irene Ryan Acting Scholarship. @rob.colletti on Instagram.
Brandon Contreras (Silent Ed Vallencourt) is thrilled to continue his journey with Almost Famous at The Old Globe this season. His television credits include “Mr. Robot” and “2018 NBCUniversal Upfront.” His New York theatre credits include Road Show (City Center Encores!), Almost Famous (developmental lab), Jerry Springer: The Opera (The New Group), The Connector (New York Theatre Workshop), Our Lady of 121st Street (Off Broadway), The Secret Garden (developmental lab), Our Town (The Actors Fund), and The Hamilton Mixtape (The Public Theater). He was also seen in the first national tour of In the Heights. Contreras has worked regionally at Drury Lane Theatre, Berkshire Theatre Group, Portland Center Stage, Pioneer Theatre Company, Fulton Theatre, and Artists Repertory Theatre. He received his B.F.A. from Pace University. BrandonAContreras.com, @OhHey_Brandon.
Colin Donnell (Russell Hammond) is a performer for both stage and screen. He is well known for his starring television roles of Connor Rhodes on “Chicago Med” and its sister series “Chicago P.D.” and “Chicago Fire”; Tommy Merlyn on “Arrow”; and Scotty Lockhart on “The Affair.” His other television credits include “The Mysteries of Laura,” “Person of Interest,” “Unforgettable,” and “Pan Am,” and he appeared in the films Sell By and Every Secret Thing. Donnell starred on Broadway in Violet, Anything Goes (Drama Desk Award nomination), and Jersey Boys, as well as in the national tour of Wicked. He was seen Off Broadway in Love’s Labour’s Lost (The Public Theater), Meet Me in St. Louis (Irish Repertory Theatre), and Almost Heaven: The Songs of John Denver (Promenade Theatre), plus regional productions across the country.
Drew Gehling (Jeff Bebe) has appeared on Broadway in Waitress (also Grammy Award–nominated cast album), On a Clear Day You Can See Forever, and Jersey Boys. His regional credits include Dave (Helen Hayes Award nomination), Roman Holiday (SHN Golden Gate Theatre), A Minister’s Wife, I Believe, and The Scarlet Pimpernel in concert (Lincoln Center), Waitress and Johnny Baseball (American Repertory Theater), Billy & Ray (Vineyard Theatre), and Anne of Green Gables (Off Broadway). His developmental project work includes The Secret Garden (upcoming), American Psycho, The Searchers, Big Fish, and Sunset Boulevard. Gehling’s television and film credits include “Instinct,” “The Code,” “Dietland,” “The Good Fight,” “Succession,” “Unbreakable Kimmy Schmidt,” “Elementary,” “30 Rock,” “Smash,” HBO’s Muhammad Ali’s Greatest Fight, “The Indoor Boys,” Stomach People, Desert Guests,“The Daily Show,” and “Live from Lincoln Center.” Academically, Gehling co-authored a paper about professional singers along with several faculty members at New York University’s Langone Voice Center. He is an alumnus of both Carnegie Mellon and Columbia Universities and is thrilled to be working with this incredible team.
Sam Gravitte (Dennis Hope) is thrilled to be making his Old Globe debut. He appeared on Broadway in Wicked, and he was seen on tour and regionally in Wicked, Joseph and the Amazing Technicolor Dreamcoat (Connecticut), and various concerts. He received his B.A. from Princeton University. @samgravitte.
Van Hughes (David Felton) appeared on Broadway in Deaf West’s Spring Awakening, Green Day’s American Idiot, 9 to 5, and Hairspray. Off Broadway he starred in Son of a Gun (The Beckett Theatre) and Saved (Playwrights Horizons). Regionally Hughes starred in When We’re Gone (Lyric Theatre of Oklahoma), A Little More Alive (Kansas City Repertory Theatre, Barrington Stage Company), and The Rocky Horror Show (Bucks County Playhouse). His film credits include Sex and the City, Sex and the City 2, Tenure, and Rachel Getting Married. On television he guest starred on “Royal Pains,” “Chibila” on Nick Jr., “Law & Order: Special Victims Unit,” “Law & Order: Criminal Intent,” “Six Degrees,” “As the World Turns,” and “One Life to Live.” As a composer, Hughes has scored the films Sequence Break and Space Clown, and he co-authored the musical Burn All Night with Andy Mientus and the Brooklyn band Teen Commandments (American Repertory Theater). He has a B.A. in Theatre from Fordham University in New York City.
Katie Ladner (Sapphire) is thrilled to make her Old Globe debut with this wonderful show. She was recently seen on Broadway in Wicked, and she made her Broadway debut in the revival of Sunset Boulevard. Her Off Broadway credits include the original cast of Heathers: The Musical (also original cast recording) and Gigantic. Her regional credits include the original casts of Disney’s Freaky Friday (original cast recording) and Be More Chill (original cast recording). She is a proud Belmont University alumna. KatieLadner.com, @ktladner on Instagram and Twitter.
Anika Larsen (Elaine Miller) has performed on Broadway in Beautiful: The Carole King Musical, Avenue Q, Xanadu, All Shook Up, and Rent. Off Broadway, she was in Zanna, Don’t!; Myths and Hymns; Closer Than Ever; Miracle Brothers; How to Save the World and Find True Love in 90 Minutes; Disaster!; and Unbroken Circle. Larsen wrote and performed in a musical called Shafrika, The White Girl about her childhood growing up in Cambridge, Massachusetts with nine brothers and sisters from different races and countries. She also released an album of lullabies for all ages called Sing You to Sleep. Larsen majored in Theater at Yale University and is a proud member of Actors’ Equity Association. anikalarsen.biz.
Storm Lever (Polexia) recently played Duckling Donna and Mimi in the Broadway production of Summer: The Donna Summer Musical. Off Broadway, she appeared as Dorothy in The Wringer. Lever appeared in several productions of Freaky Friday: as Savannah at Signature Theatre, and Ensemble at La Jolla Playhouse, Alley Theatre, and Cleveland Play House. She also appeared with the company of Emotional Creature at Berkeley Repertory Theatre. She received her B.F.A. from University of Michigan’s Department of Musical Theatre. @stormieweather.
Casey Likes (William Miller) is honored to be a part of this amazing show and cast. He has been performing on stage, television, and film since he was three years old. He is the 2019 ASU Gammage High School Musical Theatre Award winner and a 2019 National High School Musical Theatre Award (Jimmy Award) finalist. He has been seen regionally in A Christmas Carol, on film in Everything Must Go, and on television in “American Blackout.” @justcaseylikes.
Danny Lindgren (Swing) was most recently seen as Charlie Cowell in The Music Man at Goodspeed Musicals. He has appeared in workshops and readings including Stephen Schwartz and Charles Strouse’s musical Rags, and Tim Rice and Stuart Brayson’s musical From Here to Eternity. His regional credits include Chasing Rainbows, Damn Yankees, Rags, and The Most Happy Fella (Goodspeed Musicals), Candide (The Kennedy Center), A Christmas Carol (McCarter Theatre Center), Oklahoma! and Guys and Dolls (Finger Lakes Musical Theatre Festival), The Addams Family (Ogunquit Playhouse), Candide (LA Opera), South Pacific (Gateway Playhouse), Camelot (The Glimmerglass Festival), and The Flying Dutchman (Hawaii Opera Theatre). He received his B.F.A. in Musical Theatre at Ithaca College. DannyLindgren.com, @Danny_Lindgren on Instagram.
Alisa Melendez (Swing) is a San Diego native and is so grateful to be returning to her home for her Old Globe debut. She is a current senior at Pace University, where she will be receiving a B.F.A. in Musical Theater (class of 2020).
Solea Pfeiffer (Penny Lane) most recently starred in the critically acclaimed run of Encores! Off-Center’s production of Jason Robert Brown’s Songs for a New World. Prior to that, she starred as Eliza in the West Coast premiere of Hamilton. Pfeiffer’s first job out of college was Maria in the Los Angeles Philharmonic/Gustavo Dudamel/Hollywood Bowl production of West Side Story. She later reprised the role in Steven Reineke’s National Symphony Orchestra production at The Kennedy Center. On television, Pfeiffer appears on “The Good Fight,” and she appeared in one of the final episodes of “Scandal.”
Emily Schultheis (Anita Miller) is thrilled to be making her debut at The Old Globe with this dream show and cast. Her other favorite credits include Elphaba Standby in the national tour of Wicked, and Raven in the original cast of Bat Out of Hell on tour. Her regional credits include the world premieres of Island Song and Steven Sater and Burt Bacharach’s Some Lovers. She has also been seen on television in “God Friended Me” (CBS). @em_schultheis.
Daniel Sovich (Darryl), born and raised in Cleveland, Ohio, is a New York University graduate (class of 2018) making his regional theatre debut here at The Old Globe. His previous professional credits include Jay 114 in the Off Broadway production of Downtown Race Riot, and feature roles on CBS’s “The Code” and “Blue Bloods.”
Libby Winters (Leslie) is thrilled to return to The Old Globe. On Broadway, she starred as The Extraordinary Girl in Green Day’s American Idiot and was part of the original Broadway cast. She starred as Sophie in the Las Vegas company of Mamma Mia! Off Broadway, she played Olympia in Big Love (Signature Theatre) and originated the role of Eva in White Noise (New York Musical Festival). Regionally she starred in Jen Silverman’s All the Roads Home (Cincinnati Playhouse in the Park), Steve Martin and Edie Brickell’s Bright Star (The Old Globe), and American Idiot (Berkeley Repertory Theatre). Winters’s television credits include Escape at Dannemora and “Billions” (Showtime), Olive Kitteridge (HBO), “Smash” (NBC), and Champs (ABC/Dreamworks). Her films include Light Years, My Man is a Loser, Casual Encounters, and Dreaming American. Her band LAKES has played numerous venues around New York City and Los Angeles. Their debut EP, Just to Feel the Feeling, is available on all streaming platforms.
Matthew C. Yee (Ben Fong-Torres) has appeared in Cambodian Rock Band (Victory Gardens Theater), Vietgone and Twelfth Night (Writers Theatre), Once (Paramount Center), Treasure Island (Berkeley Repertory Theatre), and The Wheel (Steppenwolf Theatre Company). His television credits include “Empire,” “Chicago Fire,” and “Chicago Justice.”
Cameron Crowe (Book and Lyrics) covered music and culture as a journalist for such publications as Rolling Stone, Playboy, The New York Times, Newsweek,and Los Angeles Times. His first book, the nonfiction study of a year in the life of a California high school, Fast Times at Ridgemont High, became a best seller, and his subsequent screenplay was nominated for Best Comedy Adapted from Another Medium by the Writers Guild of America. His other film credits include Jerry Maguire, nominated for five Academy Awards including Best Original Screenplay and Best Picture. That year, Crowe also received a nomination from the Directors Guild of America for Outstanding Directorial Achievement in Feature Film, and received the PEN Literary Award for Screenplay. He next penned Conversations with Wilder, a heralded collection of interviews with the legendary director Billy Wilder. The book was published by Knopf in November 1999. (Wilder, with tongue firmly in cheek, declared it “the best book I’ve ever read.”) Almost Famous, released in September 2000, was the culmination of a 10-year process to put Crowe’s experiences working for Rolling Stone on film. The movie received four Golden Globe nominations and four Academy Award nominations, and won two Golden Globes (Best Motion Picture – Comedy or Musical, and Best Actress in a Supporting Role for Kate Hudson). Crowe was also awarded the Oscar for Best Original Screenplay and a Grammy Award for Best Compilation Soundtrack Album for a Motion Picture, Television or Other Visual Media. His other film credits include his directorial debut, Say Anything…; Vanilla Sky; Elizabethtown;and We Bought a Zoo. His documentary work includes Elton John’s The Union and Pearl Jam Twenty. Most recently, Crowe produced the acclaimed documentary David Crosby: Remember My Name, which debuted at the 2019 Sundance Film Festival. He is still a Contributing Editor for Rolling Stone, where his most recent cover story was an in-depth portrait of Harry Styles.
Tom Kitt (Music and Lyrics, Orchestrations and Arrangements) received the 2010 Pulitzer Prize for Drama as well as two Tony Awards for Best Original Score and Best Orchestrations for Next to Normal. He is also the composer of If/Then, High Fidelity, Bring It On: The Musical (co-composer with Lin-Manuel Miranda), Superhero (Second Stage Theater), Disney’s Freaky Friday (stage production and Disney Channel Original Movie), Dave (Arena Stage), and The Winter’s Tale, All’s Well That Ends Well,and Cymbeline (The Public Theater’s New York Shakespeare Festival). As a music supervisor, arranger, and orchestrator, his credits include The SpongeBob Musical, Head Over Heels, Jagged Little Pill, Grease Live!,“Rise”(NBC), and American Idiot. He received an Emmy Award as co-writer (with Miranda) for the 2013 Tony Award opening number, “Bigger!” As a musical director, conductor, arranger, and orchestrator, his credits include the Pitch Perfect films,2CELLOS featuring Lang Lang (“Live and Let Die”),“The Kennedy Center Honors,” 13, Everyday Rapture, Laugh Whore,Deaf West Theatre’s Pippin, and These Paper Bullets.
Jeremy Herrin (Director) is Artistic Director of Headlong, where his credits include All My Sons (The Old Vic), This House (National Theatre, West End, U.K. tour), Labour of Love (West End), People, Places & Things (National Theatre, West End, U.K. tour, New York), The House They Grew Up In (Chichester Festival Theatre), Common (National Theatre), Junkyard (Bristol Old Vic, Theatr Clwyd, Rose Theatre Kingston), Observe the Sons of Ulster Marching Towards the Somme (international tour), The Absence of War (U.K. tour), and The Nether (Royal Court Theatre, West End). His other theatre work includes Wolf Hall and Bring Up the Bodies (Royal Shakespeare Company, West End, Broadway), That Face (Royal Court Theatre, West End), Tusk Tusk, No Quarter, Hero and Kin, The Heretic, The Priory, and The Vertical Hour (Royal Court Theatre), The Plough and the Stars (National Theatre), The Moderate Soprano (Hampstead Theatre), The Tempest, Much Ado About Nothing (Shakespeare’s Globe), and Uncle Vanya (Chichester Festival Theatre).
Lorin Latarro (Choreography) choreographed The Heart of Rock & Roll last season at The Old Globe. She recently choreographed Broadway’s Waitress (also West End), Les Liaisons Dangereuse with Janet McTeer and Liev Schreiber, and Waiting for Godot with Ian McKellen and Patrick Stewart, and she is the associate choreographer of The Curious Incident of the Dog in the Night-Time and American Idiot. Her additional choreography includes La Traviata (The Metropolitan Opera), Merrily We Roll Along (Roundabout Theatre Company), Superhero (Second Stage Theater), Chess (The Kennedy Center), Lin-Manuel Miranda’s 21 Chump Street for “This American Life” (Brooklyn Academy of Music), The Public Theater’s Twelfth Night and The Odyssey (Delacorte Theater), Queen of the Night (Diamond Horseshoe), Assassins, Fanny, and God Bless You, Mr. Rosewater (City Center Encores!), Between the Lines (Kansas City Repertory Theatre), Beaches (Drury Lane Theatre), and A Christmas Carol (McCarter Theatre Center). Latarro is a Bucks County Playhouse Artistic Associate, Juilliard School graduate, and a Drama Desk, Lucille Lortel, and Chita Rivera Award nominee. Her upcoming works include Mrs. Doubtfire, The Visitor, and The Outsiders. lorinlatarro.com.
Derek McLane (Scenic Design) has designed over 350 productions on Broadway, Off Broadway, internationally, regionally, and on television. He was last at The Old Globe with The Heart of Rock & Roll and In Your Arms. His Broadway credits include Moulin Rouge! The Musical, American Son, Burn This, The Price, Beautiful: The Carole King Musical, Fully Committed, Noises Off, Gigi, Anything Goes, Ragtime, 33 Variations, How to Succeed in Business Without Really Trying, The Heiress, Nice Work If You Can Get It, Follies, Bengal Tiger at the Baghdad Zoo, Million Dollar Quartet, The Pajama Game, and I Am My Own Wife. His Off Broadway credits include If I Forget, Love Love Love, The Night of the Iguana, Sweet Charity, Buried Child, The Two Gentlemen of Verona, The Spoils, Into the Woods, Ruined, Macbeth, and Hurlyburly. McLane’s television credits include the Academy Awards (2013–2018) and the live NBC musicals The Sound of Music, Peter Pan, The Wiz, and Hairspray. He has received Tony, Emmy, Obie, Drama Desk, Lucille Lortel, and Art Directors Guild Awards. He is on the board of directors at The New Group and Fiasco Theater and has been a mentor for Theatre Development Fund’s Open Doors program for the past 17 years.
David Zinn (Costume Design) recently designed the scenery and costumes for the Broadway productions of Choir Boy, The Boys in the Band, The SpongeBob Musical (Tony and Drama Desk Awards), Fun Home (Tony nomination), Amelie, and The Last Ship. He designed scenery for The Waverly Gallery, Torch Song, Present Laughter, and The Humans (Tony Award), and costumes for A Doll’s House, Part 2 (Tony nomination) and Airline Highway (Tony nomination). Off Broadway he has designed sets and costumes for Hamlet and Fun Home (The Public Theater); Othello (New York Theatre Workshop); and The Flick, Kin, and Circle Mirror Transformation, all with director Sam Gold (Playwrights Horizons). Regionally he recently designed scenery for Ms. Blakk for President (Steppenwolf Theatre Company), Diana (La Jolla Playhouse), and Seascape (American Conservatory Theater).
Natasha Katz (Lighting Design)has designed extensively for theatre, opera, dance, concerts, and permanent lighting installations around the world. She is a six-time Tony Award winner whose recent Broadway credits include Springsteen on Broadway; Frankie and Johnny in the Clair de Lune; All My Sons; Burn This; The Prom; Frozen; Hello, Dolly!; Long Day’s Journey into Night; the revival of Cats; School of Rock; An American in Paris; Aladdin; Skylight; The Glass Menagerie; and Once. Her recent dance credits include Alice’s Adventures in Wonderland, The Winter’s Tale, and Tryst (The Royal Ballet), Cinderella (Dutch National Ballet, English National Ballet), and The Nutcracker (Joffrey Ballet). She is a Theatre Development Fund Wendy Wasserstein Project Mentor.
Peter Hylenski (Sound Design) is a Grammy, Olivier, seven-time Tony Award nominee. His select designs include Frozen, Moulin Rouge! The Musical, Anastasia, Once on This Island, Beetlejuice, Something Rotten!, King Kong, Rock of Ages, After Midnight, Motown The Musical, The Scottsboro Boys, Side Show, Rocky, Bullets Over Broadway, Shrek The Musical, On a Clear Day You Can See Forever, Lend Me a Tenor, Elf, Wonderland, Cry-Baby, The Times They Are A-Changin’, The Wedding Singer, Sweet Charity, and Martin Short: Fame Becomes Me. He has designed for Carnegie Hall, Radio City Music Hall, Madison Square Garden, and The Kennedy Center.
Bryan Perri (Music Director) served as music director on Broadway for Wicked, Chaplin, and Jagged Little Pill (opening this winter). His Off Broadway credits include Superhero, Dogfight, and Vanities (Second Stage Theater) and Freaky Friday (music supervisor, Signature Theatre). He was music director for Jagged Little Pill at American Repertory Theater; music director for the national tours of Next to Normal and Altar Boyz; and arranger, orchestrator, and music director for Born to Dance, which premiered on Princess Cruises in association with Stephen Schwartz. He is music director and arranger for Lindsay Mendez and Aaron Tveit, most recently performing with the American Songbook series at Lincoln Center and Webster Hall. He is resident musical supervisor and founding member at A Contemporary Theatre of Connecticut, a new Equity theatre in Ridgefield, Connecticut.
AnnMarie Milazzo (Vocal Design) served as vocal designer for Broadway’s Spring Awakening, Next to Normal, If/Then, and Finding Neverland. Her Off Broadway credits include Carrie, Bright Lights Big City, and Superhero. Her regional credits include Dangerous Beauty, Prometheus Bound, Some Lovers, Dave, and A Walk on the Moon. Milazzo served as the Broadway orchestrator, with Michael Starobin, for Once on This Island, for which she was nominated for Tony, Drama Desk, and Outer Critics Circle Awards.She is the composer and lyricist of Pretty Dead Girl, winner of the Special Jury Award at the Sundance Film Festival, and the lyricist of Le Rêve and Le Perle. Milazzo is the Grammy-nominated female vocalist for East Village Opera Company on Decca/Universal Records.
Daniel Green (Associate Music Director) is a pianist, music director, and composer. His Broadway playing/conducting credits include In Transit (associate music director), Rocky (associate conductor), An American in Paris, Big Fish, Matilda the Musical, Peter and the Starcatcher, The Addams Family, and Wicked. His other credits include Ever After (Alliance Theatre), The Wild Party (City Center Encores!), The Theory of Relativity (Goodspeed Musicals), and Between the Lines (Kansas City Repertory Theatre). His composing credits include “Full Frontal with Samantha Bee”; The Museum of Broken Relationships, winner of the Holof Lyricist Award at Eugene O’Neill Theater Center’s National Music Theater Conference; The Remarkable Journey of Prince Jen, presented at The ASCAP Foundation Musical Theatre Workshop for Stephen Schwartz; and Window Treatment, produced Off Broadway at TBG Theatre. danielgreenmusic.com.
Campbell Young Associates (Hair, Wig, and Makeup Design) designed the Broadway productions of King Lear; Gary: A Sequel to Titus Andronicus; To Kill a Mockingbird; The Waverly Gallery; Head Over Heels; Carousel; Three Tall Women; Meteor Shower; Hello, Dolly!; 1984; Front Page; The Crucible; Misery; Sylvia; Betrayal; It’s Only a Play; Les Misérables; One Man, Two Guvnors; and Spider-Man: Turn Off the Dark. For New York and the West End, they designed Ink, The Ferryman, Girl from the North Country, Farinelli and the King, Groundhog Day, Charlie and the Chocolate Factory, Les Liaisons Dangereuses, American Psycho, The Cripple of Inishmaan, Matilda the Musical, Ghost, Billy Elliot: The Musical, La Bête, Private Lives, and Rock ’n’ Roll.Their further West End credits include Rosmersholm, All About Eve, Company, TINA – The Tina Turner Musical, Funny Girl, City of Angels, High Society, Gypsy, Guys and Dolls, The Bodyguard, Present Laughter, A Christmas Carol, and Dr. Seuss’s The Lorax.They designed the operas Don Carlos and L’Enfant et les Sortileges (Bolshoi Opera) and Anna Nicole (Brooklyn Academy of Music). Their television credits include “Downton Abbey,” “The Americans,” and “Orange Is the New Black.”
Jim Carnahan, CSA (Casting) is Roundabout Theatre Company’s Artistic Producer, and he has cast over 100 Roundabout productions and over 50 non-Roundabout Broadway productions. His recent and upcoming Broadway credits include A Christmas Carol, Betrayal, Moulin Rouge! The Musical, Burn This, Tootsie, All My Sons, True West, The Ferryman, Head Over Heels, Travesties, Harry Potter and the Cursed Child, Angels in America, Farinelli and the King, 1984, Groundhog Day, Amelie, The Price, Fun Home, The River, You Can’t Take It with You, Matilda the Musical, Once, Peter and the Starcatcher, The Mountaintop, Jerusalem, The Scottsboro Boys, American Idiot, A Behanding in Spokane, The Seagull, Boeing-Boeing, Spring Awakening, Curtains, Gypsy, and Thoroughly Modern Millie. His Off Broadway credits include Little Shop of Horrors, Apologia, If I Forget, and The Beast in the Jungle. Carnahan also cast the London productions of Glengarry Glen Ross, Cat on a Hot Tin Roof, The Glass Menagerie, and Nice Fish. His film and television credits include The Seagull, A Home at the End of the World, Flicka, and “Glee” (Emmy Award nomination). Carnahan has cast six Shakespeare productions for The Old Globe.
Jillian Cimini, CSA (Casting) has credits including Scotland, PA; Bat Out of Hell; The Ferryman; Usual Girls; Apologia; American Girl Live; Travesties; Bobbie Clearly; Time and the Conways; 1984; Groundhog Day; Fun Home; Matilda the Musical; Cabaret; Kingdom Come; Brooklynite; What’s It All About?; Peter and the Starcatcher; Here’s Hoover; The Book of Mormon; American Idiot; Spring Awakening; andJerusalem.
Anjee Nero (Production Stage Manager) has previously worked on The Old Globe’s world premiere musicals Clint Black’s Looking for Christmas, The Heart of Rock & Roll, Benny & Joon, October Sky, Bright Star, Dog and Pony, Allegiance, A Room with a View, and Kingdom. Some of her additional credits include Life After; The Tempest; The Wanderers; Picasso at the Lapin Agile; Kiss Me, Kate; The Twenty-Seventh Man; The Winter’s Tale; Be a Good Little Widow; and Richard O’Brien’s The Rocky Horror Show. Nero worked on the Broadway production of Bright Star and launched the first national tour. Her select La Jolla Playhouse credits include Sideways directed by Des McAnuff, Ruined directed by Liesl Tommy, A Midsummer Night’s Dream directed by Christopher Ashley, and Herringbone directed by Roger Rees and starring BD Wong. Nero has worked with several prominent regional theatres including The Kennedy Center, Center Theatre Group, Hartford Stage, SITI Company, Huntington Theatre Company, and Berkeley Repertory Theatre, to name a few.
World premiere musical
Book and lyrics by Cameron Crowe
Music and lyrics by Tom Kitt
Directed by Jeremy Herrin
RUNS: September 13 – October 27, 2019
Donald and Darlene Shiley Stage, Old Globe Theatre, Conrad Prebys Theatre Center
TICKETS: Ticket prices start at $70.00.
SYNOPSIS: It’s all happening… San Diego, 1973. Led Zeppelin is king, Richard Nixon is President, and idealistic 15-year-old William Miller is an aspiring music journalist. When Rolling Stone magazine hires him to go on the road with an up-and-coming band, William is thrust into the rock-and-roll circus, where his love of music, his longing for friendship, and his integrity as a writer collide. Written by Academy Award winner Cameron Crowe based on his iconic film, Almost Famous is about a young man finding his place in the world and the indelible characters he meets along the way. Directed by Tony Award nominee Jeremy Herrin, it features classic hits as well as new songs by Pulitzer Prize and two-time Tony Award winner Tom Kitt. This joyous world premiere is a celebration of community and the power of music.
CAST: Matt Bittner (Larry Fellows), Chad Burris (Vic Nunez), Gerard Canonico (Dick Roswell), Julia Cassandra (Estrella), Rob Colletti (Lester Bangs), Brandon Contreras (Silent Ed Vallencourt), Colin Donnell (Russell Hammond), Drew Gehling (Jeff Bebe), Sam Gravitte (Dennis Hope), Van Hughes (David Felton), Katie Ladner (Sapphire), Anika Larsen (Elaine Miller), Storm Lever (Polexia), Casey Likes (William Miller), Solea Pfeiffer (Penny Lane), Emily Schultheis (Anita Miller), Daniel Sovich (Darryl), Libby Winters (Leslie), Matthew C. Yee (Ben Fong-Torres); swings Danny Lindgren and Alisa Melendez.
CREATIVE TEAM: Lorin Latarro (Choreography), Derek McLane (Scenic Design), David Zinn (Costume Design), Natasha Katz (Lighting Design), Peter Hylenski (Sound Design), Tom Kitt (Orchestrations and Arrangements), Bryan Perri (Music Director), AnnMarie Milazzo (Vocal Designer), Daniel Green (Associate Music Director), Campbell Young Associates (Hair, Wig, and Makeup Design), Jim Carnahan, CSA and Jill Cimini, CSA (Casting), Anjee Nero (Production Stage Manager).
Sept 13 FRI 8:00pm
Sept 14 SAT 8:00pm
Sept 15 SUN 7:00pm
Sept 17 TUE 7:00pm (Zeiger Insights Seminar)
Sept 18 WED 7:00pm
Sept 19 THURS 8:00pm
Sept 20 FRI 8:00pm
Sept 22 SUN 2:00pm
Sept 22 SUN 7:00pm
Sept 24 TUE 7:00pm
Sept 25 WED 7:00pm
Sept 26 THURS 8:00pm
OPENING NIGHT: Sept 27 FRI 8:00pm
Sept 28 SAT 2:00pm
Sept 28 SAT 8:00pm
Sept 29 SUN 2:00pm
Sept 29 SUN 7:00pm
Oct 1 TUE 7:00pm (Post-Show Forum)
Oct 2 WED 7:00pm
Oct 3 THURS 8:00pm
Oct 4 FRI 8:00pm
Oct 5 SAT 2:00pm (Subject Matters)
Oct 5 SAT 8:00pm
Oct 6 SUN 2:00pm
Oct 6 SUN 7:00pm
Oct 8 TUE 7:00pm (Post-Show Forum)
Oct 9 WED 2:00pm
Oct 9 WED 7:00pm (Post-Show Forum)
Oct 10 THURS 8:00pm
Oct 11 FRI 8:00pm
Oct 12 SAT 8:00pm
Oct 13 SUN 2:00pm
Oct 13 SUN 7:00pm
Oct 15 TUE 7:00pm
Oct 16 WED 7:00pm
Oct 17 THURS 8:00pm
Oct 18 FRI 8:00pm
Oct 19 SAT 2:00pm (Open Caption Perf)
Oct 19 SAT 8:00pm
Oct 20 SUN 2:00pm
Oct 20 SUN 7:00pm
Oct 22 TUE 7:00pm
Oct 23 WED 7:00pm
Oct 24 THURS 8:00pm
Oct 25 FRI 8:00pm
Oct 26 SAT 2:00pm
Oct 26 SAT 8:00pm
Oct 27 SUN 2:00pm
Oct 27 SUN 7:00pm
BOX OFFICE WINDOW HOURS: Noon to final curtain Tuesday through Sunday. American Express, Discover, MasterCard, and VISA accepted. (619) 23-GLOBE [234-5623].
LOCATION: The Old Globe is located in San Diego’s Balboa Park at 1363 Old Globe Way. Free parking is available throughout the park. Valet parking is also available ($14, advance reservation by calling the Box Office, evening performances only).
PHOTOS: Digital images of Globe productions are available at TheOldGlobe.org/press-room.
(619) 238-0043 x2152 / 325-9416
(619) 238-0043 x2356