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February 4 – March 12, 2017
(Opening Night: February 9, 2017)
Donald and Darlene Shiley Stage
Old Globe Theatre
Conrad Prebys Theatre Center
By Steve Martin
Directed by Barry Edelstein
Steve Martin continues his creative relationship with The Old Globe, returning for the third time with this clever and crowd-pleasing comedy hit. Paris, 1904: The Lapin Agile, beloved watering hole to struggling artists and would-be geniuses, welcomes two soon-to-be legends for one extraordinary night. Pablo Picasso and Albert Einstein, whose egos are as big as their intellects, spar with the regulars and each other about art, science, inspiration, love, and the promise of the 20th century. Throw into this mix a mysterious visitor with a penchant for blue suede shoes, and you’re in for a brilliant and witty evening in the theatre.
Steve Martin (Playwright) began his career on “The Smothers Brothers Comedy Hour” (1967–1969), for which he earned his first Emmy Award for Outstanding Writing Achievement in Comedy, Variety or Music in 1969. In the mid-1970s, Mr. Martin shone as a stand-up on “The Tonight Show Starring Johnny Carson” and NBC’s “Saturday Night Live.” His films are widely popular successes and are the kind of movies that are viewed again and again: The Jerk (1979), Planes, Trains & Automobiles (1987), Roxanne (1987), Parenthood (1989), L.A. Story (1991), Father of the Bride (1991), and Bowfinger (1999). As an author, Mr. Martin’s work includes the novel An Object of Beauty; the play Picasso at the Lapin Agile; a collection of comic pieces, Pure Drivel; a bestselling novella, Shopgirl; and his memoir, Born Standing Up. His writing has also appeared in The New Yorker. Mr. Martin is an accomplished, Grammy Award-winning, boundary-pushing bluegrass banjoist and composer who has won three Grammys for performing and composing. He has earned numerous honors including an Academy Award, five Grammy Awards, an Emmy Award, the Mark Twain Prize, and the Kennedy Center Honor. Mr. Martin and Edie Brickell’s musical Bright Star premiered at The Old Globe in 2014, played a limited engagement at The Kennedy Center, and received acclaim in its Broadway run at the Cort Theatre. In addition to five Tony Award nominations, Bright Star received Outer Critics Circle Awards for Outstanding New Broadway Musical and Outstanding New Score. Mr. Martin’s Meteor Shower made its world premiere at the Globe in 2016.
Barry Edelstein (Director, Erna Finci Viterbi Artistic Director) is a stage director, producer, author, and educator. Widely recognized as one of the leading American authorities on the works of Shakespeare, he has directed nearly half of the Bard’s plays. His Globe directing credits include The Winter’s Tale; Othello; the West Coast premiere of novelist Nathan Englander’s play The Twenty-seventh Man; and the world premiere of Michael John LaChiusa and Sybille Pearson’s musical Rain. He also directed All’s Well That Ends Well as the inaugural production of Globe for All, which tours the works of Shakespeare to diverse communities throughout San Diego County. As Director of the Shakespeare Initiative at The Public Theater (2008–2012), Mr. Edelstein oversaw all of the company’s Shakespearean productions as well as its extensive educational, community outreach, and artist-training programs. At The Public, he staged the world premiere of The Twenty-seventh Man, Julius Caesar, The Merchant of Venice, Timon of Athens, and Steve Martin’s WASP and Other Plays.He was also Associate Producer of The Public’s Broadway production of The Merchant of Venice starring Al Pacino. From 1998 to 2003 he was Artistic Director of Classic Stage Company. Mr. Edelstein’s other Shakespearean directorial credits include The Winter’s Tale at Classic Stage Company; As You Like It starring Gwyneth Paltrow; and Richard III starring John Turturro. His additional credits include the Lucille Lortel Award-winning revival of Arthur Miller’s All My Sons; the world premiere of Steve Martin’s The Underpants, which he commissioned; and Molière’s The Misanthrope starring Uma Thurman in her stage debut. Mr. Edelstein has taught Shakespearean acting at The Juilliard School, New York University’s Graduate Acting Program, and the University of Southern California. His book Thinking Shakespeare is the standard text on American Shakespearean acting. He is also the author of Bardisms: Shakespeare for All Occasions.
John Lee Beatty (Scenic Design) has designed the Globe productions of Love’s Labor’s Lost, Cornelia, Dancing in the Dark, Dr. Seuss’ How the Grinch Stole Christmas!,and Redwood Curtain. His 110 Broadway credits include The Nance, After Midnight, Good People, Venus in Fur, Other Desert Cities, Times Stands Still, A View From the Bridge, The Royal Family, The Color Purple, Dr. Seuss’ How the Grinch Stole Christmas!, Rabbit Hole, Doubt, Chicago, Dinner at Eight, Morning’s at Seven, Proof, The Last Night of Ballyhoo, A Delicate Balance, The Heiress, Anna Christie, Redwood Curtain, The Sisters Rosensweig, The Most Happy Fella, Penn and Teller (twice), Burn This, Ain’t Misbehavin’ (twice), Talley’s Folly, Fifth of July,and Crimes of the Heart. His Off Broadway credits include Sweat, The Whipping Man, Sylvia, The Substance of Fire, Lips Together, Teeth Apart, The Road to Mecca, Song of Singapore, A Life in the Theatre, The Miss Firecracker Contest, 38 seasons at Manhattan Theatre Club and Circle Repertory Company, and 21 seasons at City Center Encores! He has also designed at major regional theatres and in film, opera, television, and circus. Mr. Beatty is the recipient of Tony, Obie, Drama Desk, and Outer Critics Circle Awards and is a member of the Theatre Hall of Fame. He is a graduate of Brown University and Yale School of Drama.
Katherine Roth (Costume Design) previously designed the Globe productions of Rain, The Twenty-seventh Man, Othello, The Rainmaker, and Dracula. She designed the Broadway and international tour productions of Twyla Tharp’s Come Fly Away and the New York production of The Twenty-seventh Man directed by Barry Edelstein at The Public Theater. She has designed costumes for many regional and New York theatres. Ms. Roth’s film credits include Neil LaBute’s Some Velvet Morning, and her television credits include “All My Children” (two Daytime Emmy Awards). She received her M.F.A. from Yale School of Drama.
Russell H. Champa (Lighting Design) previously designed The Old Globe’s productions of Rain, The Twenty-seventh Man, The Winter’s Tale, Groundswell, Back Back Back,and The Four of Us. His current and recent projects include The Light Years (Playwrights Horizons/The Debate Society), Othello (California Shakespeare Theater), The Hard Problem and The Unfortunates (American Conservatory Theater), and Thresh|Hold (Pilobolus). His Broadway credits include China Doll (Gerald Schoenfeld Theater), In the Next Room, or the vibrator play (Lyceum Theatre/Lincoln Center Theater), and Julia Sweeney’s God Said “Ha!” (Lyceum Theatre). His work with New York companies includes Lincoln Center Theater, New York Shakespeare Festival/The Public Theater, Second Stage Theatre, Manhattan Theatre Club, Vineyard Theatre, Atlantic Theater Company, and New York Stage and Film. His regional credits include Steppenwolf Theatre Company, Arena Stage, The Wilma Theater, Long Wharf Theatre, Trinity Repertory Company, Mark Taper Forum, and The Kennedy Center. Thanks J + J. Peace.
Lindsay Jones (Original Music and Sound Design)previously worked on the Globe productions of Rich Girl, Buyer & Cellar, Richard III, As You Like It, Inherit the Wind, The Recommendation, Groundswell, Opus, The Glass Menagerie, In This Corner, Oscar and the Pink Lady, Lincolnesque, Sky Girls, and Beyond Therapy, among others. He designed and composed for the Broadway productions of Bronx Bombers and A Time to Kill. His Off Broadway credits include Privacy, Dry Powder,and Wild with Happy (The Public Theater), Bootycandy (Playwrights Horizons), Mr. Joy (LCT3), Top Secret (New York Theatre Workshop), Rx (Primary Stages), and many others. His regional credits include Guthrie Theater, Hartford Stage, Alliance Theatre, Goodman Theatre, American Conservatory Theater, Chicago Shakespeare Theater, Steppenwolf Theatre Company, La Jolla Playhouse, Arena Stage, and many others. His international work includes Stratford Shakespeare Festival in Canada and Royal Shakespeare Company in England, as well as productions in Austria, Zimbabwe, South Africa, and Scotland. Mr. Jones has received seven Joseph Jefferson Awards and 24 nominations, two Ovation Awards and three nominations, and a Los Angeles Drama Critics Circle Award, as well as three Drama Desk Award nominations, two Helen Hayes Award nominations, two Barrymore Award nominations, and many others. His film scoring credits include The Brass Teapot (Magnolia Pictures) and A Note of Triumph: The Golden Age of Norman Corwin (HBO Films; 2006 Academy Award for Best Documentary, Short Subjects). lindsayjones.com.
David Huber (Vocal Coach) has worked on the Globe productions of Measure for Measure with Globe for All, October Sky, Meteor Shower, Sense and Sensibility, Macbeth, tokyo fish story, Camp David, Constellations, Rain, The Last Match, The Metromaniacs, Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery, Arms and the Man, Buyer & Cellar, The Royale, Bright Star, and The Two Gentlemen of Verona. His previous Globe acting credits include The Winter’s Tale directed by Jack O’Brien, The Tempest, The Two Gentlemen of Verona, and The Merchant of Venice, among several others. He has studied voice with Master Linklater Voice teacher David Smukler, Eric Armstrong, and Kate Burke. He is a graduate of the Graduate Voice Teacher Diploma Program at York University in Toronto. His regional theatre credits include Actors Theatre of Louisville, Cincinnati Playhouse in the Park, The Repertory Theatre of St. Louis, Pittsburgh Playhouse, PCPA Theaterfest, Texas Shakespeare Festival, Center REP Theatre, and Centennial Theater Festival, among many others. Mr. Huber coaches voice, speech, and acting locally, works on speech issues with special needs students, and recently taught speech in the graduate theatre program at UC San Diego. He is a graduate of The Old Globe and University of San Diego Shiley Graduate Theatre Program.
Caparelliotis Casting (Casting) has cast the Globe productions of Meteor Shower, tokyo fish story, Constellations, The Last Match, Dr. Seuss’ How the Grinch Stole Christmas!, Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery, Rich Girl, Arms and the Man, Buyer & Cellar, The White Snake, The Twenty-seventh Man, The Royale, Vanya and Sonia and Masha and Spike, Water by the Spoonful, Time and the Conways, Bethany, The Winter’s Tale, The Few, Double Indemnity, The Rainmaker, Other Desert Cities, Be a Good Little Widow, A Doll’s House, The Brothers Size, Pygmalion, and Good People. Their Broadway casting credits include The Front Page, Les Liaisons Dangereuses, The Glass Menagerie (upcoming), Jitney (upcoming), The Little Foxes (upcoming), The Father, Blackbird, An Act of God, Airline Highway, Fish in the Dark, It’s Only a Play, Disgraced, The Country House, Holler If Ya Hear Me, Casa Valentina, The Snow Geese, Lyle Kessler’s Orphans, The Trip to Bountiful, Grace, Dead Accounts, The Other Place, Seminar, The Columnist, Stick Fly, Good People, Bengal Tiger at the Baghdad Zoo, The House of Blue Leaves, Fences, Lend Me a Tenor, and The Royal Family. They also cast for Manhattan Theatre Club, Atlantic Theater Company, LCT3, Ars Nova, Goodman Theatre, Steppenwolf Theatre Company, McCarter Theatre Center, Arena Stage, Second Stage Theatre (seven seasons), and Williamstown Theatre Festival (three seasons). Their recent film and television credits include HairBrained with Brendan Fraser, “American Odyssey” (NBC), “How to Get Away with Murder” (ABC pilot), “Ironside” (NBC), and Steel Magnolias (Sony for Lifetime).
Anjee Nero (Production Stage Manager) previously worked on the Globe productions of October Sky, Kiss Me, Kate, The Twenty-seventh Man, Bright Star, Dog and Pony, The Winter’s Tale, Be a Good Little Widow, Allegiance, A Room with a View, Richard O’Brien’s The Rocky Horror Show, The Savannah Disputation, Cornelia, Kingdom,and the 2007 Shakespeare Festival. Her selected La Jolla Playhouse credits include Sideways directed by Des McAnuff, Ruined directed by Liesl Tommy, A Midsummer Night’s Dream directed by Christopher Ashley, and Herringbone directed by Roger Rees and starring BD Wong. Ms. Nero has worked with several prominent regional theatres including The Kennedy Center, Hartford Stage, Center Theatre Group, SITI Company, Huntington Theatre Company, and Berkeley Repertory Theatre. Her other selected credits include Schick Machine (Paul Dresher Ensemble), which toured both nationally and internationally, and Garden of Forbidden Loves and Garden of Deadly Sound (IMAGOmoves), which toured to the International Hungarian Theatre Festival in Cluj, Romania. Ms. Nero was most recently on Broadway with Bright Star.
Jess Slocum (Assistant Stage Manager) previously worked at The Old Globe on Measure for Measure (Globe for All), Love’s Labor’s Lost, tokyo fish story, The Metromaniacs, In Your Arms, Twelfth Night, Buyer & Cellar, Bright Star, Othello, Water by the Spoonful, The Winter’s Tale, A Doll’s House, Pygmalion, A Room with a View, Richard O’Brien’s The Rocky Horror Show, the 2011–2013 Shakespeare Festivals, Rafta, Rafta…, Robin and the 7 Hoods, Alive and Well, Sammy, Cornelia, Since Africa, Dr. Seuss’ How the Grinch Stole Christmas!,and The Glass Menagerie. Her Broadway credits include In the Heights. Her regional credits include Indecent, Side Show, Ruined, The Third Story, Memphis,and Most Wanted (La Jolla Playhouse) and Post Office (Center Theatre Group). Her San Diego credits include Mo`olelo Performing Arts Company, North Coast Repertory Theatre, and Lamb’s Players Theatre. She is a graduate of Vanderbilt University. Proud member of Actors’ Equity.
Laura Zingle (Assistant Stage Manager – Month XX to Month XX) is thrilled to be back at The Old Globe after recently working on Sense and Sensibility, The Metromaniacs, Arms and the Man,and Dr. Seuss’ How the Grinch Stole Christmas! (2014). She recently was production stage manager for the U.S. premiere of The Little Match Girl by Helmut Lachenmann at Spoleto Festival USA in Charleston, South Carolina. Her La Jolla Playhouse credits include Tiger Style!, The Grift, Kingdom City, El Henry, Kamchatka (Without Walls Festival), His Girl Friday, and Hands on a Hardbody. At San Diego Repertory Theatre she was production stage manager of Detroit. Her other regional credits include a workshop of different words for the same thing (Center Theatre Group), AFI Fest 2013, Spoleto Festival USA, Opera NEO, and Palomar College Dance. Ms. Zingle is the stage manager of San Diego Gay Men’s Chorus. She has an M.F.A. in Stage Management from UC San Diego, where she is currently a visiting faculty member, and she is a proud member of AEA.
Get to know Pablo Picasso and Albert Einstein in a whole new way! Join the leaders of Balboa Park’s preeminent arts and science organizations to explore the connections between these iconic figures of the early 20th century. Roxana Velasquez (Maruja Baldwin Executive Director of the San Diego Museum of Art) and Dr. Steven Snyder (Chief Executive Officer of the Fleet Science Center) will provide brief introductions to the lives and works of Picasso and Einstein. They will then participate in a joint question-and-answer session to explore the points of connection between these two great revolutionary minds. FREE at The Old Globe and open to the public.
Wednesday, February 15, 2017 at 6:00 p.m.
In conjunction with the Fleet Science Center, this fun event will partner a scientist and a painting instructor to help people create science-inspired art. Further details to come.
Wednesday, March 8, 2017
An artistic variant on the popular community program by the Fleet Science Center, Two Scientists Walk Into a Bar—where local scientists join folks for a beer and good conversation in a local bar—gets a special twist when an artist is added to the mix! Join them, and ask them anything you want! For this special edition, the Fleet is partnering with the San Diego Art Institute, with some of the artists and scientists drawn from SDAI’s May exhibition, Extra-Ordinary Collusion: Art & Science Collaboration. Further details to come.
Thursday, March 9, 2017
This series provides Old Globe patrons with an opportunity to closely connect with productions both onstage and backstage. A panel selected from the artistic company of each show (playwrights, actors, directors, designers, and/or technicians) engages patrons in an informal and illuminating presentation of ideas and insights to enhance the theatre going experience. Each Insights Seminar takes place 90 minutes before curtain time on the Tuesday after performances begin, and includes an informal reception 30 minutes before the start. FREE; no reservations necessary.
Tuesday, February 7, 2017 at 5:30 p.m.
Join us after the show for an informal and enlightening question-and-answer session with cast members. Get the "inside story" on creating a character and putting together a professional production. Post-show forums are scheduled after select Tuesday and Wednesday evening performances. FREE; no reservations necessary.
Tuesday, February 14, 2017
Tuesday, February 21, 2017
Wednesday, March 1, 2017
Explore the ideas and issues raised by a production through brief, illuminating post-show discussions with local experts, such as scientists, artists, historians and scholars. Subject Matters will ignite discussion, bring the play's concerns into sharp focus, and encourage you to think beyond the stage! Subject Matters discussions follow select Saturday matinee performances. FREE; no reservations necessary.
Saturday, February 11, 2017
