Cast
Kent
Brendan Griffin
The Old Globe: Back Back Back. ELSEWHERE: Clouds, Dog and Pony Theatre; FILM/TV: Generation Kill, Taking Chance, Guiding Light, Law & Order: Criminal Intent, The Nanny Diaries, Conviction, One Life to Live, Law & Order: SVU. TRAINING: BA Drama, Kenyon College; The British American Drama Academy.
Adam
Nick Mills
The Old Globe: Debut. NEW YORK: Beef, Slant Theatre Project; Hip Hop Hamlet, Playwrights Horizons. ELSEWHERE: Boys' Life, The Credeaux Canvas, Vitality Pro- ductions; Keep Ishmael, White Horse Theatre. FILM: The Appointment, The Receptionist (writer/director). Mr. Mills is the Artistic Director of VITALITY Productions, LLC, in Los Angeles. EDUCATION/TRAINING: MFA, NYU Graduate Acting Program; BFA, University of Evansville.
Raul
Joaquin Perez-Campbell
THE OLD GLOBE: Back Back Back. ELSEWHERE: Columbinus, NYTW; A Soldiers Play, Second Stage; The School of Night, Romeo and Juliet, Appreciation, Richard III, Balm in Gilead, As You Like It, Juilliard. FILM: The Hurt Locker, War of the Worlds, The Manchurian Candidate. TV: Numb3rs, Veronica Mars, 3 Lbs, CSI: NY, Guiding Light. TRAINING: The Juilliard School.
Utility Player
Matthew Bovee
Team
Playwright
Itamar Moses
Itamar Moses is the author of the full-length plays Outrage, Bach at Leipzig, Celebrity Row, The Four of Us, Yellowjackets, Back Back Back, Completeness, and The Den, the musicals Reality! (With Gaby Alter), and Fortress of Solitude (with Michael Friedman and Daniel Aukin), and various short plays and one-acts. His work has appeared off-Broadway and elsewhere in New York, at regional theatres across the country and in Canada, and is published by Faber & Faber and Samuel French. He has received new play commissions from The McCarter Theater, Playwrights Horizons, Berkeley Repertory Theatre, The Wilma Theater, South Coast Rep, Manhattan Theatre Club, and Lincoln Center. Itamar holds an MFA in Dramatic Writing from NYU and has taught playwriting at Yale and NYU. He is a member of the Dramatists Guild, MCC Playwrights Coalition, Naked Angels Writers Group, and is a New York Theatre Workshop Usual Suspect. He was born in Berkeley, CA and now lives in Brooklyn, NY.
Director
Davis McCallum
THE OLD GLOBE: Jack O’Brien Directors‘ Lab (2007). NEW YORK: Chuck Mee’s Queens Boulevard, Signature; Quiara Hudes’ Elliot: A Soldier’s Fugue (Pulitzer Prize Finalist), P73 at The Culture Project; The Turn of the Screw, Jane Eyre, The Tempest, The Acting Company; Unbound: The Journals of Fanny Kemble, West Moon Street, Prospect Theater Company; Noah Haidle’s Women & Criminals, HERE. REGIONAL: The Belle’s Stratagem, Oregon Shakespeare Festival; Romeo & Juliet, Playmakers Rep; Sarah Ruhl’s The Clean House, Cleveland Playhouse; others. He was a Drama League Directing Fellow (2001), a Phil Killian Directing Fellow at OSF (2003), and was recently selected for the NEA/TCG Program for Directors (2007). EDUCA-TION: He trained at LAMDA and studied at Princeton and Oxford, where he was a Rhodes Scholar. UPCOMING: Henry V at the Guthrie.
Scenic Design
Lee Savage
THE OLD GLOBE: In This Corner. NEW YORK: The Private Lives of Eskimos, I (Heart) Kant, Committee Theatre Company; Harvest, La Mama; Go-Go Kitty Go! (NYC Best Play Award), Fringe; Frag, HERE. REGIONAL: Tamburlaine, Edward II, Richard III, Shakespeare Theatre Company; Death of a Salesman, A Midsummer Night's Dream, The Just, Chautauqua Theater Company; Waiting for Godot, Berkshire Theatre Festival; Driving Miss Daisy, Delaware Theatre Company; Peter Pan, Cyrano de Bergerac, University of Delaware PTTP; The Misanthrope, I Am My Own Wife, Dallas Theater Center; The Intelligent Design of Jenny Chow, Yale Repertory Theatre; School for Scandal, Trinity Repertory Company; The Servant of Two Masters, Pittsburgh Public Theater; Intimate Apparel, Philadelphia Theatre Company; Love’s Labour’s Lost, Uncle Vanya, Orpheus Descending, Yale School of Drama. INTERNATIONAL: The Jammer (Fringe First Award), Edinburgh Fringe Festival. AWARDS: Helen Hayes Award Nomination (Richard III); Connecticut Critics Circle Award (The Intelligent Design of Jenny Chow); The Donald and Zorka Oenslager Travel Fellowship. AFFILI-ATIONS: Wingspace Theatrical Design Group, The Lincoln Center Director's Lab. TRAINING: MFA, Yale School of Drama; BFA, Rhode Island School of Design.
Costume Design
Christal Weatherly
THE OLD GLOBE: Debut. NEW YORK: Signature Theatre Company, Playwrights Horizons, Human Company, The Acting Company, Apparition Off-Broadway LLC, Summer Play Festival. REGIONAL: A.R.T., Rainpan 43 at the Philadelphia Live Arts Festival and The Studio Theatre in DC, Denver Center Theatre Company, Williamstown Theatre Festival, Berkeley Repertory Theatre, Hartford Stage, Actors Theatre of Louisville, The Children’s Theatre Company, La Jolla Playhouse, Center Theatre Group, Madison Repertory Theatre, Deaf West Theatre. UPCOMING: The Communist Dracula Pageant at A.R.T., Lydia at Mark Taper Forum, The Servant of Two Masters at Oregon Shakespeare Festival. EDUCATION: BA: New Mexico State University, MFA: UC San Diego.
Lighting Design
Russell H. Champa
THE OLD GLOBE: The Four of Us. Other projects include Eurydice at Second Stage in NYC and Yale Rep, Pillowman at Berkeley Rep, Little Foxes at ACT, Distracted and I Witness at the Mark Taper Forum in Los Angeles, and The Other Side at Manhattan Theater Club. On Broadway, Russell designed Julia Sweeney's God Said “Ha!" at the Lyceum Theatre. Other New York theatres Russell has designed for include the Promenade Theater, the Union Square Theater, Classic Stage Company, New York Stage & Film, Primary Stages and La Mama etc. Regionally, Russell has designed for The Wilma Theatre; Seattle Rep; Trinity Rep; McCarter Theater; Long Wharf Theater; Campo Santo; Williamstown Theatre Festival; The Actors' Gang; The Kennedy Center. Thanks J + J. Peace.
Sound Design
Paul Peterson
has designed over 85 productions at The Old Globe, including The Last Romance, Alive and Well, Lost in Yonkers, I Do! I Do!, The Savannah Disputation, The Mystery of Irma Vep, Cornelia, The Price, Kingdom, Six Degrees of Separation, Since Africa, The Women, Sight Unseen, The Pleasure of His Company, Dr. Seuss’ How the Grinch Stole Christmas!, Bell, Book and Candle, Who’s Afraid of Virginia Woolf?, Two Trains Running, Hold Please, Restoration Comedy, Pig Farm, The Sisters Rosensweig, Trying, Moonlight and Magnolias, Vincent in Brixton, I Just Stopped By to See the Man, Lucky Duck, The Intelligent Design of Jenny Chow, Blue/Orange, Time Flies, Pentecost, Compleat Female Stage Beauty, The Boswell Sisters and Crumbs from the Table of Joy. His regional credits include Milwaukee Repertory Theater, San Jose Repertory Theatre, CENTERSTAGE, La Jolla Playhouse, Sledgehammer Theatre (Associate Artist), Mo’olelo Performing Arts Company, The Wilma Theater, L.A. Theatre Works, San Diego Repertory Theatre, Florida Studio Theatre, Lorraine Hansberry Theatre, North Coast Repertory Theatre, Diversionary Theatre, Cape Fear Regional Theatre, Hope Summer Repertory Theatre, Malashock Dance Company, University of San Diego, San Diego State University and the Freud Theatre at UCLA. He received his BFA in Drama with an emphasis in Technical Design from San Diego State University.
Stage Manager
Moira Gleason
has stage managed several shows at The Old Globe including Alive and Well, Whisper House, Since Africa, Back Back Back, Sea of Tranquility, The Sisters Rosensweig, The Constant Wife, Dr. Seuss’ How the Grinch Stole Christmas! (‘05), Summer Shakespeare Festivals (2005, ‘07, ‘08 and ‘09), Vincent in Brixton, I Just Stopped By to See the Man, Fiction, The Full Monty, as Douglas Pagliotti Stage Management Intern: Old Wicked Songs. She has also been the Stage Manager for Adoption Project: Triad (Mo’olelo Performing Arts Company), Miss Witherspoon (San Diego Repertory Theatre) and Fathom (Malashock Dance, ‘06). Ms. Gleason has held many different positions at The Old Globe from House Manager to Carpenter, Master Sound Technician to Education Coordinator. She holds a BA from Southern Oregon University and is a proud member of The Actors’ Equity Association.
Projection Design
Shawn Sagady
THE OLD GLOBE: Debut. LA JOLLA PLAYHOUSE: Carmen, The Adding Machines, The Seven, Memphis. OTHER REGIONAL: Cowboy vs. Samurai, Dear Miss Breed. Sagady attended the Pacific Conservatory for the Performing Arts.
Stage Manager
Tracy Skoczelas
THE OLD GLOBE: Sight Unseen, Dancing in the Dark, A Catered Affair, Hay Fever, Two Trains Running, The Four of Us, The Times They Are A-Changin’, Summer Shakespeare Festivals (‘04 - ‘06, ‘08), Vincent in Brixton, I Just Stopped By to See the Man, Dirty Rotten Scoundrels, The Food Chain, Two Sisters and a Piano, Bus Stop, Rough Crossing, Much Ado About Nothing, Julius Caesar, Dirty Blonde, Pentecost, Loves & Hours, Oldest Living Confederate Widow Tells All, Splendour, Pericles, All My Sons, Compleat Female Stage Beauty, Betrayal, Smash, Memoir, Dr. Seuss’ How the Grinch Stole Christmas! (‘01-’07), Twelfth Night, A Midsummer Night’s Dream, Henry V, The Trojan Women. EDUCATION: BFA, University of North Carolina at Greensboro.
