IN THIS ISSUE:


Now Playing - April 12, 2009
From the book by STUDS TERKEL
Adapted by STEPHEN SCHWARTZ and
NINA FASO
Directed by GORDON GREENBERG
Old Globe Theatre


From the creator of Wicked, Godspell and Pippin.

HURRY FINAL WEEK! MUST CLOSE SUNDAY, APRIL 12


Photos (L-R): Danielle Lee Greaves, Adam Monley, Wayne Duvall and Donna Lynne Champlin;Nehal Joshi;Marie France Arcilla, Adam Monley, Nehal Joshi and Danielle Lee Greaves. Photos by Craig Schwartz.

CRITIC'S CHOICE! San Diego Union-Tribune

CRITICS AND AUDIENCES ARE RAVING ABOUT WORKING!



WORKING is supported,in part,
by the following generous sponsors:

Mary Ann Blair

 

 

 

 

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MARY ANN BLAIR
Mary Ann Blair has supported theatre in San Diego, including The Old Globe, for the past ten years. Through her support of the Globe’s Education and Community programs, Mary Ann has made it possible for thousands of children to experience the magic of theatre, and she often attends with them and delights in seeing their reactions to a performance. She believes that the arts are an important part of education and that theatre enriches children’s lives. Mary Ann’s childhood memories include her father listening to Studs Terkel’s radio program. The Old Globe is very pleased to recognize Mary Ann Blair as a Production Sponsor for Working.

GLOBE GUILDERS
The Globe Guilders have been an essential part of The Old Globe family for more than 50 years. Hundreds of dedicated members provide invaluable assistance to the Globe through their notable annual Fashion Show and other fundraising activities, community events, and gracious hosting of the Theatre’s Company Calls. This year’s Globe Guilders Fashion Show will be held on Tuesday, July 21 at the Sheraton San Diego Hotel and Marina. Presented by Neiman Marcus, the Fashion Show will feature designs by Naeem Khan. Proceeds from the event will support the Globe’s education programs. To become a Globe Guilder, please contact Joyce Nash, Globe Guilders Vice President of Membership, at jnash1@san.rr.com and for more information on the Globe Guilders Fashion Show, contact Suzie Turner at suziepoet@cox.net.


STUDS TERKEL (1912 - 2008)

The radio personality and author Louis Terkel was best known for his oral histories of ordinary Americans. These anthologies of interviews show how people felt about key historical events and everyday struggles and dreams.

Initially a Chicago radio personality, in mid-career Studs Terkel acquired a national reputation as a people's historian through a series of books that relied on taped interviews to document the experiences, memories, dreams, and fears of a wide cross-section of Americans.

Louis Terkel was born on May 16, 1912, in the Bronx, New York. In 1923 his family moved to Chicago, where his mother managed a hotel for blue-collar and skilled workers. Mr. Terkel often said that the characters he encountered and the disputations he witnessed at the Wells-Grand Hotel on the Near North Side were his real education.

Though he graduated from college and law school at the University of Chicago, Terkel never practiced law. Instead, taking his nickname from a famous literary character of the day, Studs Lonigan, he succumbed to the lure of the stage, acting in radio and community theater productions and even in the exciting new medium of television. From 1949 until 1951, he had his own weekly show on NBC, Studs' Place, an innovative, improvisational situation comedy about “regular folks."

In 1951, anticommunist fever was rising, and Terkel's television career was cut short when NBC discovered he had signed leftist petitions seeking reform on such controversial issues as rent control and segregation. With his typical stubborn conviction, Terkel refused to renounce the petitions, and his show was canceled. His next step was to approach radio station WFMT with a proposal for an hour-long interview show. The station hired him and became Terkel's home for the next 45 years, until his retirement in 1997.

Terkel produced a series of books that gave voice to the experience of the “regular folks," including Working: People Talk About What They Do All Day and How They Feel About What They Do (1974). His books depict a multifaceted picture of the historical period they cover and the society that lived through it.

“Oral journalism is associated with me," Terkel has said, “and I like that, and it's true. Because it's the sound of the voice that I'd like to capture." Studs Terkel passed away at 96 on October 31, 2008.

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PROGRAM NOTES - Working

The Non-Fiction Musical

There are many different sources for musicals: novels (The Pajama Game), plays (Oklahoma!) story collections (Guys and Dolls) even comic strips (Annie). Recently it seems as if popular films have been the main inspiration for Broadway musicals, but as often happens the exception belies the rule. Recent Tony winners have been In the Heights (original story) and Spring Awakening (a 19th century play).

Working is in a class almost by itself. It is based on Studs Terkel’s best selling book, Working: People Talk About What They Do All Day and How They Feel About What They Do (1974) which consists of a series of interviews with Americans across regions, social lines and racial divides. So a non-fiction musical. The only work comparable was the 1948 revue, Inside USA based on John Gunther’s collection of essays about post war America. Inside USA had music and lyrics by Howard Dietz and Arthur Schwartz, whose songs were in last season’s Dancing in the Dark here at the Globe. Inside USA was a traditional revue, a cavalcade of song interspersed with written sketches. It starred Beatrice Lillie, Clifton Webb and Perry Como so apparently ordinary Americans weren’t part of the mix.

Stylistically Working is different in that it is the work of a number of song writers and though seemingly a revue, it has a strong thematic connection between the musical numbers. One worker’s story blends into another’s in a way to show how interconnected we all are. Working also presents working men and women in a more realistic manner than we are used to in a musical entertainment. The song writers use the workers’ interviews and find the poetry and power in their words. It’s rare to find a musical entertainment that depicts real, ordinary people in their own words as they reflect not only on their jobs which some love, some hate and some just tolerate but also their musings about the greater meaning of work and its place in our lives and in our society.

As you can see from these excerpts, the song writers who have contributed to Working have skillfully raised the words of the men and women that were interviewed for his book into the poetry of the musical theater without losing the connection to the spare and revealing and honest words that were originally spoken to Studs Terkel.

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OPUS NOW PLAYING - APRIL 26

A world famous string quartet is down to three,
will a female virtuoso bring them harmony?

(L-R): Katie Sigismund as “Grace” and Mark H. Dold as “Dorian”; Jeffrey Bender as “Alan,” Jim Abele as “Elliot,” and Corey Brill as “Carl”; Katie Sigismund as “Grace,” Jeffrey Bender as “Alan” and Jim Abele as “Elliot”. Photos by Craig Schwartz.

OPUS
By MICHAEL HOLLINGER
Directed by KYLE DONNELLY
Old Globe Arena Stage at James S. Copley Auditorium, SDMA

Three members of a world-renowned string quartet bring in a female violinist to replace their volatile fourth player, as they ready themselves for an upcoming nationally-televised performance at the White House. Soon, the offstage travails of these five extraordinary individuals prove to be as complex and compelling as the Master’s Grand Fugue. Rivalries, ambition, mortality, and their passions ignite and clash – in a world where harmony is easier in the spotlight than it is offstage.
For Mature Audiences.

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CRITIC'S CHOICE! San Diego Union-Tribune
San Diego Union-Tribune
Variety


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OPUS is supported,in part,
by the following generous sponsors:

The Prado at Balboa Park is one of the most frequently visited restaurants by Globe patrons for lunch or dinner before Globe performances. Cohn Restaurant Group operates 12 San Diego restaurants including The Prado, Corvette Diner, Dakota Grill, Gaslamp Strip Club, Indigo Grill, Island Prime, Kemo Sabe and Thee Bungalow. The newest Cohn restaurant, 333 Pacific offers stunning views of the famous Oceanside Pier. Lesley and David Cohn, owners of Cohn Restaurant Group have attended Globe productions for more than a decade. The Old Globe greatly appreciates Cohn Restaurant Group’s financial and in-kind Annual Fund contribution to support the Theatre.

As an association of ten of America’s finest non-profit theatres, the National Corporate Theatre Fund is dedicated to increasing the participation of corporations and their employees in support of theatre in New York and across the country. The Old Globe thanks the National Corporate Theatre Fund for their efforts and is pleased to recognize the organization as a sponsor of Opus.

 


PROGRAM NOTES - Opus

AN OPUS GLOSSARY

Largo
(It.) Very slowly, broadly.
Often specific movements of classical pieces are identified by their tempo markings; the
Largo ma non tanto (“Slow, but not too much”) is the second movement of Bach's Double
Violin Concerto
.

Molto espressivo
(It.) Very expressive.

Piano
(It.) softly. (The instrument of this name was originally called the “pianoforte,” or “loud/soft,” because it was the first keyboard instrument capable of dynamic variations.)

Sforzando
(It.) A direction to play a note with sudden emphasis or surprise.

Forte
(It.) Loud, strong; usually written “f”.

Hairpins
An informal nickname for either a crescendo (get louder) or decrescendo (get softer).

Adagio
(It.) Slowly.

Ma non troppo
(It.) But not too much.

Allegro Molto Vivace
Fast and very lively.

Poco Ritard
Slow the tempo slightly (“ritard” is short for “ritardando”)

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American Life and Culture Survey

The Old Globe strongly values the opinions of audience members, and we are participating in a survey of American Life and Culture through National Corporate Theatre Fund. Your feedback will help inform a broader national study on arts and culture that, as you will see, looks at the subject from a unique perspective.
 
Please take 5 minutes to complete this survey, and play an important role in helping arts and civic leaders across the country make decisions about the kinds of programs and experiences they support — decisions that make a vital difference in our community.
 
Be assured that your privacy is protected. Agreeing to take the survey is a one-time event. It does not presume any re-use of your contact information for any other purpose. Your individual answers will be aggregated and no personal information will be requested or retained.
 
Simply click on the link below, or cut and paste the link into your browser.
 
http://www.surveymonkey.com/s.aspx?sm=Uzt1_2fiMddGRbD_2ffEZcI_2bIQ_3d_3d
 
Thank you for taking a few moments to share your opinions.
 


Upcoming Shows:

 

 

 

 

 

THE PRICE
May 9 - June 14
By Arthur Miller
Directed by Richard Seer
Old Globe Arena Stage at James S. Copley Auditorium, SDMA

The Old Globe’s acclaimed “Classics Up Close” series continues with this stunning and moving drama by one of our greatest American playwrights, Arthur Miller (All My Sons, Death of a Salesman). A protective wife watches as her husband, a policeman nearing retirement, and his brother, a successful brain surgeon, face the truth about themselves when they meet to sell their late father’s possessions. Surrounded by the remnants of their childhood and goaded by an eccentric antiques dealer, each man is forced to examine the life he has chosen. To survive in a family battered by loss and misfortune, who has paid the greater price?

TICKETS ON SALE APRIL 24

CORNELIA
May 16 - June 21
By Mark Olslen
Directed by Ethan McSweeny
Old Globe Theatre

From the creator of the hit HBO series “Big Love” comes an epic slice of history – from an angle you haven’t seen. Welcome to Alabama, 1970. The weather is hot, and recently-divorced beauty queen Cornelia Folsom is hotter still. Cornelia has her eye set on Governor George Wallace, and will do anything to be the next first lady of Alabama. Campaign staffers don’t trust her, and a scandal-tinged love affair is not what any politician needs. But this is the South, and there’s more than hanky-panky going on in this sweeping, provocative tale of sex, power, and bare-knuckled American politics. For Mature Audiences.

TICKETS ON SALE APRIL 24

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RESIDENCY PROJECT'S INAUGURAL YEAR IS A HIT WITH THE NEW MUSICAL KINGDOM
Kyle Beltran (standing) as “Andres,” with (L-R) Amirah Vann as “Marisa,” Cedric Leiba, Jr as “Juan” and Gerardo Rodriguez as “Cano”. Photo by Craig Schwartz.

The Globe Technical Center — a scenery buillding and storage facility in southeastern San Diego at Market and Euclid streets – began operations in early 2008 and became nexus for launching the multi-faceted “Southeastern San Diego Residency Project” to establish the Globe as a vital cultural resource for the community.

The Residency Project’s ground-breaking play development series applies the same level of talent seen during the regular Old Globe season with productions that resonate with younger, more diverse audiences.

The first production in the Residency Project was Kingdom, by Aaron Jafferis and Ian Williams - a new musical that won a 2008 Richard Rodgers Award and the “Most Promising New Musical” award at the 2006 New York Musical Theatre Festival. Kingdom’s original score fuses hip-hop, rock and Latin music to chronicle the lives of two young men caught in the devastating cycle of gang violence.

The southeastern San Diego community played a key role in bringing Kingdom to the stage. Writerz Blok, a non-profit graffiti arts studio, worked with Associate Designer Sean Fanning and other technical staff to create an authentic set. Officers from the San Diego Police Department’s Gang Prevention Unit watched rehearsals of Kingdom, and based on their feedback, a gang sign was changed because it represented a local gang. Additionally, they took the creative team on “ride alongs” through neighborhoods in their precinct to show the realities that some San Diego neighborhoods face. The outpouring of community support helped make Kingdom a great success.
In a first for the Globe, Kingdom was performed both at Lincoln High School Center for the Arts in southeastern San Diego and at The Old Globe Theatre, reaching a total audience of more than 7,536 with a limited-run production of 14 performances. Student matinees on February 12 and 13, 2009 at Lincoln High School reached 2,139 students – nearly the entire school. Many students returned with friends or family to see public performances of Kingdom at Lincoln, February 14 and 15 and at the Globe, February 19 – 22, 2009.

Kingdom performance at Lincoln High School's Performing Arts Theatre.

To help prepare students for seeing Kingdom, Globe teaching artists conducted pre-show workshops in 84 classrooms at Lincoln. Aaron Jafferis worked in residency with students who created their own short theatre piece responding to Kingdom.

The Globe is now working to select material for the 2010 Residency Project through this exciting and innovative new play development process.

 



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20% OFF DINNER at BITE! Old Globe restaurant partner of the month is BITE located at 1417 University Ave. Go to www.bitesd.com for more information. Please print this email and present to your server to receive discount. Does not include alcohol, tax, or gratuity. Offer not valid with other offers or on 1/2 Price Wine Night. ***This offer is good until June 30, 2009***

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FREE PASSES TO HEAD TO TOE WOMEN’S EXPO APRIL 17-19 at The Del Mar Fairgrounds. The first 20 people to e-mail Head to Toe Women’s Expo win a free weekend pass to the Expo. Stop by The Old Globe booth (#534) to register to win a pair of tickets to see The First Wives Club!